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ŒU ÐÒÉÎÔ ÔÈÉÓ ÄÉÓÁÂÌÅ ÑÕÏÔÅ ÍÏÄÅ ------------------ ÐÏËÅ 212,0 ÄISABLE QUOTE MODE •U ÐÒÉÎÔ ÔÈÉÓ ÃÕÒÓÏÒ ÃÏÌÏÒ ------------ ÐÏËÅ 646,C ÃHANGE CURSOR COLOR (C = 0 TO 15) U ÐÒÉÎÔ ÔÈÉÓ ËÅÙÂÏÁÒÄ ÃÏÎÔÒÏÌÓ ----------------- ÐÏËÅ 649,0 ÍAKES KEYBOARD BUFFER EQUAL TO 0 (ÎORMAL = 10) ÐÏËÅ650,65 ÎO KEYBOARD REPEAT (ÎORMAL = 0) ÐÏËÅ 650,128 ÁLL KEYS REPE]AT ÐÏËÅ 657,1 ÄISABLES ÓÈÉÆÔ/ÃÍÄÒ (ÎORMAL = 0) ÐÏËÅ 657,128 ÄISABLES ÓÈÉÆÔ U ÐÒÉÎÔ ÔÈÉÓ ÌÉÓÔ, ÓÔÏÐ, ÒÅÓÔÏÒÅ ÃÏÎÔÒÏÌÓ ---------------------------- ÐÏËÅ 774,0 ÌIST LINE NUMBERS ONLY (ÎORMAL = 26) ÐÏËÅ 775,100 ÌÉÓÔ PERFORMS A ÎÅ× ÐÏËÅ 775,168 ÄISABLES ÌÉÓÔ (ÎORMAL = 167) ÐÏËÅ 788,52 ÄISABLES ÓÔÏÐ (ÎORMAL = 49) ÐÏËÅ 792,193 ÄISABLES ÒÅÓÔÏÒÅ (ÎORMAL = 71) ÐÏËÅ 808,127 ÄISABLES ÒÕÎ (ÎORMAL = 237) ÐÏËÅ 808,234 ÄISABLES ÓÔÏÐ/ÒÅÓÔÏÒÅ ÐÏËÅ 808,239 ÄISABLES ÓÔÏÐ ÎÏÔÅ: ÐÏËÅING 808 MESSES UP THE CLOCK SO IT MAY CAUSE PROBLEMS WITH SAVING AND LOADING. ÌÏÁÄÓÔÁÒ PREFERS USING 788 TO DISABLE ÓÔÏÐ. ÐÏËÅ 816,157 ÄISABLES ÌÏÁÄ (ÎORMAL = 165) ÐÏËÅ 816,32 ÅNABLES ÓÈÉÆÔ-ÒÕÎ TO LOAD AND RUN A PROGRAM ÐÏËÅ 818,32 ÄIßSABLES ÓÁÖÅ (ÎORMAL = 237) ÐÏËÅ 2048,0 ÒESETS ÂÁÓÉà IF YOU GET A "SYNTAX ERROR" WHEN YOU DO A ÒÕÎ ÐÏËÅ 2049,X - ÒECOVER PROGRAM LOST BY ÎÅ×. X = CHARACTER COUNT OF LINE TOKENS. ÅXPERIMENT!  U ÐÒÉÎÔ ÔÈÉÓ ÓÃÒÅÅÎ ÃÏÎÔÒÏÌÓ --------------- ÐÏËÅ 53265,11 ÔURNS SCREEN OFF (ÎORMAL = 27) ÐÏËÅ 53269,2^S ÓPRITE ON ÐÏËÅ 53272,21 ÓWITCH TO UPPER CASE (GRAPHIC MODE). 53272 IS  THE POINTER TO WHERE THE FONT IS. ÐÏËÅ 53272,23 ÓWITCH TO LOWER CASE (TEXT MODE) ÐÏËÅ 53280,C ÃHANGE BORDER COLOR (C = 0 TO 15) ÐÏËÅ 53281,C ÃHANGE BACKGROUND COLOR (C = 0 TO 15) 53282 ÍÕÌÔÉ-ÃÏÌÏÒ/ÅØÔ ÂÇ 1 53o283 MULTI-COLOR/EXT BG 2 53284 EXTENDED BACKGROUND 3 53285 SPRITE MULTI 0 53286 SPRITE MULTI 1 ¬U ÐÒÉÎÔ ÔÈÉÓ ÖÏÌÕÍÅ ÃÏÎÔÒÏÌÓ --------------- ÐÏËÅ 54296,V ÓET OUTPUT VOLUME OF ÓÉÄ CHIP (V = 0 TO 15) ®U ÐÒÉÎÔ ÔÈÉÓ ÃÕÒÓÏÒ ÓÐÅÅÄ ------------ ÐÏËÅ 56325,S ÓET CURSOR SPEED (0 ÂÃà ÅÎÄ ÓÅà ÓÂà #128 ÅÎÄ: ÒÔÓ U ÐÒÉÎÔ ÔÈÉÓ ÇÁÍÅ ÐÁÄÄÌÅÓ (ÐÏÒÔ 1) ----------------------- ÐÁÄÄÌÅ 1 = 54297 ÐÁÄÄÌÅ 2 = 54298 ÆÉÒÅÂÕÔÔÏÎÓ: ÐÏÒÔ 1 = 145 & 56465 ÐÏÒÔ 2 = 56464 (ÆÉÒÅÂÕÔÔÏÎÓ ÏÎÌÙ) ÆÂ1 = ÂÉÔ 3 (ÂÉÔ ÖÁÌÕÅ 4):  ÐÏÒÔ 1 = 251 ÏÎ/255 ÏÆÆ ÐÏÒÔ 2 = 123 ÏÎ/127 ÏÆÆ (ÆÂ1 ÁÄÄÒ) ÁÎÄ 4 = 0 ÏÎ, 4 ÏÆÆ ÆÂ2 = ÂÉÔ 4 (ÂÉÔ ÖÁÌÕÅ 8) ÐÏÒÔ 1 = 247 ÏÎ, 255 ÏÆÆ ÐÏÒÔ 2 = 119 ÏÎ, 127 ÏÆÆ (ÆÂ2 ÁÄÄÒ) ÁÎÄ 8 = 0 ÏÎ, 8 ÏÆÆ ÂÏÔÈ ÆÂ'Ó (Æ ÁÄÄÒ) ÁÎÄ 12 = 0 ÂÏÔÈ %ÏÎ ÆÂ1 ÏÎ = 4 ÆÂ2 ÏÎ = 8 U ÐÒÉÎÔ ÔÈÉÓ ÍÌ ÓÕÂÔÒÁÃÔÉÏÎ -------------- ÌÎ = ÌARGE ÎUMBER ÓÎ = ÓMALLER ÎUMBER ÌÄÁ ÌÎ ÌÄÙ ÌÎ+1 ÓÅà ÓÂà ÓÎ ÔÁØ ÔÙÁ ÓÂà ÓÎ+1 ÒÔÓ  ÈÉÇÈ ÂÙÔÅ > .Á ÌÏ× ÂÙÔÅ > .Ø ÃÁÒÒÙ ÓÅÔ IF ÐÏÓÉÔÉÖÅ ÖÁÌÕÅ ÎÏÔÅ: ÉF VALUE TO BE SUBTRACTED IS ALREADY IN .Á REGISTER, IT CAN BE SUBTRACTED FROM ANOTHER VALUE THIS WAY: (.Á < ÓÎ) ÅÏÒ#255 ÓÅà  ÁÄà ÌÎ ÔHE ADDITION FEATURE OF THE 6502 PROCESSOR IS THE MOST COMPLICATED FUNCTION OF THE CHIP -- AND A GENUINE WORK OF ART. ÅVEN MORE CLEVER IS HOW THE DESIGNERS MADE A "SUBTRACT" FEATURE WITHOUT HAVING TO CREATE EXTRA LOGIC CODE. ÓUBTRACT ION IS, IN FACT, ADDING A NEGATIVE VALUE TO A VALUE. ÉN BINARY MATH, ONE MAKES A NEGATIVE VALUE OUR OF A POSITIVE VALUE BY ÆLIPPING THE ÂITS ÁDDING 1 ÎOW WATCH CAREFULLY. ÂY HAVING ONLY ÁÄà AND ÓÂà INSTRUCTIONS (WHICH REQUIRE THE PR OGRAMMER TO ÃLEAR OR ÓET THE ÃARRY), NOT ONLY ARE MULTI-BYTE OPERATIONS POSSIBLE, BUT THE PROGRAMMER PROVIDES THE "ÁDDING 1" PART OF MAKING A NEGATIVE VALUE FOR SUBTRACTION. ×HEN A VALUE IS TO BE SUBTRACTED FROM THE CONTENTS OF .Á, THE ÓÂà INSTRUCTI ON EVIDENTLY DOES THE ÆLIPPING OF THE ÂITS AS THE BYTE ENTERS THE PROCESSOR. .Á < %00001111 ÓÂà #%00001100 BECOMES: %11110011 ÓÅà +1 --------- AND ÁÄà 00000011 W/ÃÁÒÒÙ=1 7 ×HAT EFFICIENCY! ×HAT ÓTYLE! ×HAT ÐOETRY! ÄÍÍ ENTERS THE PROCESSOR. .Á < %00001111 ÓÂà #%00001100 BECOMES: %11110011 ÓÅà +1 --------- AND ÁÄà 00000011 W/ÃÁÒÒÙ=1  U ÐÒÉÎÔ ÔÈÉÓ ÍÌ ÁÄÄÉÔÉÏÎ ----------- Ô×Ï-ÂÙÔÅ ÖÁÌÕÅÓ ÌÄÁ Î1 ÌÄÙ Î1+1 ÃÌà ÁÄà Î2 ÔÁØ ÔÙÁ ÁÄà Î2+1 ÒÔÓ ÈÉÇÈÂÙÔÅ > .Á ÌÏ× ÂÙÔÅ > .Ø U ÐÒÉÎÔ ÔÈÉÓ ÆÁÍÏÕÓ ÚÅÒÏ-ÐÁÇÅ ÂÙÔÅÓ ---------------------- BY ÆENDER ÔUCKER ÔHE FIRST 256 MEMORY LOCATIONS USED BY YOUR Ã64 ARE VERY IMPORTANT TO ÂÁÓÉà PROGRAMS BUT THERE ARE ONLY A COUPLE OF DOZEN OF THEM THAT YOU REALLY NEED TO KNOW ABOUT. ÔHESE ARE THE LOCATIONS É USE MOST OFTEN. É'M TAKING A LOT OF THIS INFORMATION FROM MY SECOND-MOST- IMPORTANT Ã64 BOOK, "ÍAPPING THE Ã64" BY ÓHELDON ÌEEMON, ÃOMPUTE! ÐUBLICATIONS, ÉNC. ÔHE MOST IMPORTANT IS, OF COURSE, THE "ÐROGRAMMER'S ÒEFERENCE ÇUIDE" BY ÃOMMODORE ÂUSINESS ÍACHINES, ÉNC. ÚÅÒÏ ÐÁÇÅ - ÌOCATIONS 0 THROUGH 255 0 AND 1 - ÖERY IMPORTANT FOR É/Ï AND SWITCHING THE ÒÏÍS IN AND OUT. ÂITS 0, 1 AND 2 OF LOCATION 1 ARE THE OPERATIVE SWITCHES. ÈERE'S WHAT THESE BITS DO: ÂIT 0 ÏN ÂÁÓÉà ÒÏÍ AT $Á000 (40960) ÏFF ÒÁÍ AT $Á000 1 ÏN ËERNAL ÒÏÍ AT $Å000 (57344) ÏFF ÒÁÍ AT $Å000 2 ÏN É/Ï AT $Ä000 (53248) ÏFF ÃHARACTER ÒÏÍ AT $Ä000 2 - ÕNUSED BY ÂÁÓÉÃ. ÔHIS IS A FAVORITE PLACE TO STORE A VALUE BETWEEN 0 AND 255. ÂE CAREFUL THOUGH, IT'S USED BY A LOT OF ÍÌ ROUTINES. 19 - ÄEFAULT VALUE IS 0. ÉF YOU ÐÏËÅ A 64 HERE, THE ? IS SUPPRESSED FROM AN ÉÎÐÕÔ STATEMENT. ÂE SURE TO ÐÏËÅ A 0 BACK IN AFTER YOU GET YOUR INPUT OR YOU'LL HAVE CURSOR PROBLEMS WITH THE ÂÁÓÉà SCREEN EDITOR. ÓINCE ÌÏÁÄÓÔÁÒ IS NOT A FAN OF THE ÉÎÐÕÔ STATEMENT ANYWAY, MY ADVICE IS TO USE THIS FOR YOUR OWN PROGRAMS, IF YOU WANT, BUT NOT FOR PROGRAMS TO BE USED BY THE GENERAL PUBLIC. 43 AND 44 - ÐOINTERS TO THE START OF ÂÁÓÉà TEXT. ÄEFAULT IS 01 AND 08 OR 2049 DECIMAL. ÔO MOVE THE START OF ÂÁÓÉà TEXT UP TO $1001 (4097) YOU NEED TO ÐÏËÅ 44,16:ÐÏËÅ 4096,0 IN A BOOT PROGRAM. ÔHIS ALLOWS ENOUGH ROOM FOR A FONT TO BE ÌÏÁÄED AT $0800. ÄÁÖÅ'Ó ÎÏÔÅ: É USE THE FOLLOWING: Ñ=PAGE:ÐÏËÅ44,Ñ:ÐÏËÅÑ*256,0 ÔHESE LOCATIONS ARE ALSO TEMPORARILY CHANGED WHEN APPENDING ÂÁÓÉà PROGRAMS. ÉF YOU EVER GET A "SYNTAX ERROR" WHEN ENTERING A SIMPLE ÂÁÓÉà COMMAND LIKE ÒÕÎ, YOU PROBABLY NEED TO ÐÏËÅ2048,0. ÉF YOU'VE MOVED ÂÁÓÉà UP, THEN ÐÏËÅ A 0 INTO THE VALUE RETURNED BY ÐÅÅË(44)*256. 45 AND 46 - ÓTART OF ÖARIABLES (ÓÏÖ) OR, IN ANOTHER SENSE, END OF PROGRAM. ÔHESE BYTES CHANGE AS YOU MODIFY YOUR PROGRAM. ÕSED IN APPENDING ALSO. 51 AND 52, 55 AND 56 - ÕSUALLY ONLY THE HI-BYTES (52 AND 56) NEED TO BE CHANGED TO LOWER THE TOP OF ÂÁÓÉÃ. ÔHE DEFAULT VALUE FOR 52 AND 56 IS 160 WHICH PLACES THE TOP OF ÂÁÓÉà AREA AT $Á000 (40960). 160X256=40960. ÔO FREE UP ROOM FOR DATA, ÍÌ ROUTINES OR WHATEVER, POKE 52 AND 56 WITH A LOWER NUMBER. 197 AND 203 - ÉN "ÍAPPING THE Ã64" THERE IS A TABLE OF THE VALUES FOUND IN THESE LOCATIONS DEPENDING ON WHICH KEY HAS BEEN PRESSED. ÔHEY ARE  THE SAME FOR BOTH LOCATIONS EXCEPT THAT 197 SHOWS THE ÌÁÓÔ KEY PRESSED, WHILE 203 SHOWS THE ÃÕÒÒÅÎÔ KEY PRESSED. ÔHESE LOCATIONS ARE HANDY FOR CHECKING FOR A KEYPRESS. ÉN THE IMMEDIATE MODE ENTER THIS COMMAND, ÆÏÒÉ=0ÔÏ9000:?ÐÅÅË(197);:ÎÅØÔ AND PRESS ÒÅÔÕÒÎ. Á BUNCH OF 64'S WILL BE PRINTED ON THE SCREEN. ÔHEN PRESS ANY KEY AND SEE WHAT NUMBER IS PRINTED. ÆOR INSTANCE, IF YOU PRESS THE ÓÐÁÃÅ BAR THE NUMBER 60 WILL BE PRINTED. ÔHEREFORE 10 ÉÆ ÐÅÅË (197) = 60 ÔÈÅÎ....  IS THE SAME AS 10 ÇÅÔ Á$: ÉÆ Á$ = " " ÔÈÅÎ.... ÉF NO KEY IS PRESSED, BOTH 197 AND 203 WILL CONTAIN A 64. ÔHIS CHECKS ONLY FOR WHICH KEY IS PRESSED. ÔHE ÓÈÉÆÔ, ÃÏÎÔÒÏÌ AND ÌÏÇÏ KEYS ARE NOT PART OF THE KEYBOARD MATRIX SO ÓÈÉÆÔ-ÓÐÁÃÅ WILL GIVE THE SAME VALUE AS UNÓÈÉÆÔED-ÓÐÁÃÅ. 198 - ÎUMBER OF CHARACTERS IN THE KEYBOARD BUFFER QUEUE. ÄEFAULT IS 0. ÔO MAKE SURE THAT A PREVIOUS KEYPRESS IS NOT LURKING IN THE BUFFER IT'S GOOD PROGRAMMING PRACTICE TO ÐÏËÅ 198,0 BEFORE ANY ÇÅÔ STATEMENT. ÅVEN MORE USEFUL IS TO ÐÏËÅ SOME ÂÁÓÉà TOKENS INTO THE KEYBOARD BUFFER AT 631 AND THEN ÐÏËÅ THE NUMBER OF TOKENS INTO 198. ×HEN THE PROGRAM ENDS THE COMMANDS YOU ÐÏËÅD WILL BE EXECUTED EVEN THOUGH THE PROGRAM IS OVER AND NO KEYS ARE PRESSED! ÔHIS IS KNOWN AS THE DYNAMIC KEYBOARD TECHNIQUE AND IS HANDY FOR CAUSING ONE PROGRAM TO ÌÏÁÄ AND ÒÕÎ ANOTHER. ÊUST ABOUT ALL OF OUR BOOT PROGRAMS USE THIS METHOD. ÃHECK 'EM OUT. 199 - Á QUICK WAY TO TELL IF YOU ARE IN THE REVERSED MODE. 0 = NO. 1 = YES. ÙOU CAN ÐÏËÅ OR ÐÅÅË THIS LOCATION FROM WITHIN YOUR PROGRAM. 212 - ÁN EASY WAY TO GET OUT OF THE QUOTE MODE FROM WITHIN A PROGRAM. 0 = NO. ÉF YOU WANT TO ÐÒÉÎÔ A QUOTE MARK ON THE SCREEN BUT DON'T WANT THE !USER TO BE IN THE QUOTE MODE, JUST ÐÏËÅ 212,0 AFTERWARDS. 214 - ÔHE BEST WAY (IN MY OPINION) TO POSITION YOUR CURSOR IN A PROGRAM IS TO ÐÏËÅ THE ROW YOU WANT THE CURSOR ON (MINUS 2) INTO 214. ÆOR INSTANCE, ÐÏËÅ 214,12:ÐÒÉÎÔ WILL POSITION TH"E CURSOR ON THE 14TH ROW. ÕSE ÔÁ OR ÓÐà TO SET THE CURSOR Ù POSITION. 217 THROUGH 242 - ÓCREEN LINE LINK TABLE. ÔHESE ARE TWENTY-FIVE BYTES (CORRESPONDING TO THE 25 SCREEN ROWS) THAT NEED TO BE MANIPULATED WHENEVER YOU ÐÒÉÎÔ SOMETHING IN TH#E FAR RIGHT COLUMN. ÙOU'LL NOTICE THAT YOU ARE HAVING A HECK OF A TIME GETTING SUCCEEDING TEXT TO PRINT ON THE CORRECT LINE. ÉF YOU HAVE THIS PROBLEM, DO THIS: 200 ÆÏÒ É = 217 ÔÏ 242: ÐÏËÅ É, ÐÅÅË(É) ÏÒ 128:ÎÅØÔ AND THE SCREEN WI$LL FORMAT CORRECTLY. ÔECHNICALLY, YOU ONLY NEED TO DO THIS FOR THE OFFENDING LINE BUT IT'S QUICK ENOUGH TO FIX ALL THE LINKS AT ONCE IN A ÆÏÒ-ÎÅØÔ LOOP. 251 THROUGH 254 - ÔHESE ARE FAVORITE FREE ZERO-PAGE BYTES FOR ÍÌ PROGRAMMERS. ÓOME OF &THE ADDRESSING MODES REQUIRE THAT ADDRESSES BE IN ZERO PAGE AND SINCE ADDRESSES ARE TWO BYTES LONG, HAVING FOUR IN A ROW IS INDEED HANDY. ÂY STUDYING ÓHELDON ÌEEMON'S BOOK YOU'LL FIND MANY MORE INTERESTING LOCATIONS TO PLAY AROUND WITH. °U ÐÒÉÎÔ ÔÈÉÓ ÌÉÓÔ ×/ÎÏ ÌÉÎÅ ÎÕÍÂÅÒÓ ---------------------- ÐÏËÅ 22,35 ÌÉÓÔ WON'T SHOW LINE NUMBERS (ÎORMAL = 25) †U ÐÒÉÎÔ ÔÈÉÓ ÃÌÏÓÅ ÁÌÌ ÆÉÌÅÓ --------------- ÐÏËÅ 152,0 ÃLOSES ALL FILES U ÐÒÉÎÔ ÔÈÉÓ ÓÕÐÐÒÅÓÓ ÅÒÒÏÒ/ÃÏÎÔÒÏÌ ÍÅÓÓÁÇÅÓ ------------------------------- ÐÏËÅ 157,0 ÓUPPRESSES ERROR AND CONTROL MESSAGES ÐÏËÅ 157,64 ÓUPPRESSES ERROR MESSAGES ÐÏËÅ 157,128 ÓUPPRESSES CO¨ÅØÔ ÐÒÏÇÒÁÍ. ÉÆ ÐÅÅË(45)= 0 ÏÒ 1 ÔÈÅÎ ÐÏËÅ 43,ÐÅÅË(45)+254 ÁÎÄ ÐÏËÅ 44,ÐÅÅË(46)- 1 (3) ÒÅÐÌÁÃÅ ÔÈÅ ÏÒÉÇÉÎÁÌ ÖÁÌÕÅÓ ÏÆ 43,ÁÎÄ 44. U ÐÒÉÎÔ ÔÈÉÓ ÒÅÎÁÍÅ ÄÉÓË ÈÅÁÄÅÒ ------------------- ÏÐÅÎ 15,8,15:ÏÐÅÎ 8,8,8,"#" ÐÒÉÎÔ #15,"É0:" ÐÒÉÎÔ #15,"Õ1:2,0,18,0" ÐÒÉÎÔ #15,"Â-Ð:2,144" ÐÒÉÎÔ #8," (NEW NAME 0-16 LETTERS / ÃÌÏÓÅ 8 ÐÒÉÎÔ #15,"É0:" ÃÌÏÓÅ 15 U ÐÒÉÎÔ ÔÈÉÓ ÔÏÇÇÌÉÎÇ -------- Î=(Î+1) ÁÎÄ 1 Î=1-Î ÏÒ Î=ÁÂÓ(Î-1) ÃÙÃÌÉÎÇ ------- 0-3 -> Î=(Î+1) ÁÎÄ 3 0-7 -> Î=(Î+7) ÁÎÄ 7 1-16 -> Î=(Î+¦1) ÁÎÄ 15:Î=(Î+1) ÂÅÔÔÅÒ ÃÙÃÌÅ ------------  = BEGIN VALUE Å = END VALUE Î =  :ÒÅÍ ÓÅÔ ÕÐ ÔÈÉÓ ÄÏÅÓ ÔÈÅ ÃÙÃÌÅ: Î = (Î-Â+1)*-(Î+1<=Å)+ U ÐÒÉÎÔ ÔÈÉÓ ÍÌ ÃÏÍÐÁÒÉÓÏÎÓ -------------- ÃOMPARISONS MADE EASY! ÌÄÁ VAL1 ÃÍÐ VAL2 ÂÅÑ ÖÁÌÕÅÓ ÅÑÕÁÌ ÂÃà ÖÁÌ2>ÖÁÌ1 ÂÃÓ ÖÁÌ2=<ÖÁÌ1 ÂÎÅ ÖÁÌ2<>ÖÁÌ1 ÒEMEMBER: ÂÃà > ÂRANCH ÃOMPARE ÇRrEATER ÂÃÓ > ÂRANCH ÃOMPARE ÓAME OR ÓHORT ÌÄÁ Ø ÃÍÐ Ù ÂÅÑ Ø=Ù ÂÃà Ø<Ù ÂÃÓ Ø>=Ù ÂÎÅ Ø<>Ù U ÐÒÉÎÔ ÔÈÉÓ ÍÌ ÍÕÌÔÉÐÌÉÃÁÔÉÏÎ ----------------- ÒÏÕÔÉÎÅ 1: 8 ÂÉÔ * 8 ÂÉÔ = 16 ÂÉÔ ÍÐÌÒ = ÍÕÌÔÉÐÌÉÅÒ. ÍÕÌÃÎÄ = ÍÕÌÔÉÐÌÉÃÁÎÄ. ÒÅÓÕÌÔ = ÐÒÏÄÕÃÔ ÍÕÌÔ ÌÄÁ #0 ÌÄØ #8 ;ÂÉÔ Ã ÏÕÎÔ ÎÅØÔ ÌÓÒ ÍÐÌÒ ÂÃà ÁÌÉÇÎ ÃÌà ÁÄà ÍÕÌÃÎÄ ÁÌÉÇÎ ÒÏÒ Á ÒÏÒ ÒÅÓÕÌÔ ÄÅØ ;ÄÅà ÂÉÔ ÃÏÕÎÔ ÂÎÅ ÎÅØÔ (ÒÅÐÅÁÔÓ ÆÏÒ 8 ÂÉÔÓ) ÌÄØ ÒÅÓÕÌÔ ÒÔÓ ÈÉÇÈ ÂÙ ÔÅ > .Á ÌÏ× ÂÙÔÅ > .Ø ÒÏÕÔÉÎÅ 2: 16ÂÉÔ * 16ÂÉÔ = 32ÂÉÔ. ÍÐÌÒ = ÍÕÌÔÉÐÌÉÅÒ. ÍÕÌÃÎÄ = ÍÕÌÔÉÐÌÉÃÁÎÄ. ÒÅÓÕÌÔ = ÐÒÏÄÕÃÔ ÍÕÌÔ16 ÌÄÁ #0 ÓÔÁ ÒÅÓÕÌÔ+2 ÓÔÁ ÒÅÓÕÌÔ+3 ÌÄØ #16 ;ÂÉÔ  ÃÏÕÎÔ ÎÅØÔ ÌÓÒ ÍÐÌÒ+1 ÒÏÒ ÍÐÌÒ ÂÃà ÁÌÉÇÎ ÃÌà ÌÄÁ ÒÅÓÕÌÔ+2 ÁÄà ÍÕÌÃÎÄ ÓÔÁ ÒÅÓÕÌÔ+2 ÌÄÁ ÒÅÓÕÌÔ+3 ÁÄà ÍÕÌÃÎÄ+1 ÁÌÉÇÎ ÒÏÒ Á  ÓÔÁ ÒÅÓÕÌÔ+3 (ÂÙÔÅ 4) ÒÏÒ ÒÅÓÕÌÔ+2 (ÂÙÔÅ 3) ÒÏÒ ÒÅÓÕÌÔ+1 (ÂÙÔÅ 2) ÒÏÒ ÒÅÓÕÌÔ (ÂÙÔÅ 1) ÄÅØ (ÄÅà ÂÉÔ ÃÏÕÎÔ) ÂÎÅ ÎÅØÔ ÒÔÓ ÒÏÕÔÉÎÅ 3: 16 ÂÉÔ * 16 ÂÉÔ = 16 ÂÉÔ.  --------- ÍÐÌÒ = ÍÕÌÔÉÐÌÉÅÒ. ÍÕÌÃÎÄ = ÍÕÌÔÉÐÌÉÃÁÎÄ. ÒÅÓÕÌÔ = ÒÅÓÕÌÔ ÁÃÃÕÍÕÌÁÔÏÒ ÂÉÔÃÔÒ = ÂÉÔ ÃÏÕÎÔÅÒ. ÍÕÌÔ ÌÄÁ #16 ÓÔÁ ÂÉÔÃÔÒ ÌÄÁ #0 ÓÔÁ ÒÅÓÕÌÔ ÓÔÁ ÒÅÓÕÌÔ+1 ÃÌà ÎÅØÔ ÌÓÒ ÒÅÓÕÌÔ+1 ÒÏÒ ÒÅÓÕÌÔ ÒÏÒ ÍÕÌÃÎÄ+1 ÒÏÒ ÍÕÌÃÎÄ ÄÅà ÂÉÔÃÎÔ ÂÍÉ ÅÎÄ ÃÏÎÔ ÂÃà ÎÅØÔ ÃÌà  ÌÄÁ ÒÅÓÕÌÔ ÁÄà ÍÐÌÒ ÓÔÁ ÒÅÓÕÌÔ ÌÄÁ ÒÅÓÕÌÔ+1 ÁÄà ÍÐÌÒ+1 ÓÔÁ ÒÅÓÕÌÔ+1 ÃÌà ÂÃà ÎÅØÔ ÅÎÄ ÌÄØ ÍÕÌÃÎÄ (LO BYTE) < ÌÄÁ ÍÕÌÃÎÄ+1(HI BYTE) ÒÔÓ U ÐÒÉÎÔ ÔÈÉÓ ÍÌ ÄÉÖÉÓÉÏÎ -- --------- ÒÏÕÔÉÎÅ 1: 8 ÂÉÔ ÂÙ 8 ÂÉÔ = 16 ÂÉÔ. ÄÉÖÓÏÒ = ÄÉÖÉÓÏÒ ÄÉÖÄÅÎ = ÄÉÖÉÄÅÎ/ÑÕÏÔÉÅÎÔ ÒÅÍÁÉÎ = ÒÅÍÁÉÎÄÅÒ ÄÉÖ8 ÌÄÁ #0 ÌÄØ #8 (ÂÉÔ ÃÏÕÎÔ) ÎÅØÔ  ÁÓÌ ÄÉÖÄÅÎ ÒÏÌ Á ÃÍÐ ÄÉÖÓÏÒ ÂÃà ÄÅÃÂÉÔ ÓÂà ÄÉÖÓÏÒ ÉÎà ÄÉÖÄÅÎ ÄÅÃÂÉÔ ÄÅØ (ÄÅà ÂÉÔ ÃÏÕÎÔ) ÂÎÅ ÎÅØÔ ÌÄØ ÄÉÖÄÅÎ ÒÔÓ (ÒÅÍÁÉÎÄÅÒ > .Á, ÑÕÏÔÉÅÎÔ > .Ø ÒÏÕÔÉÎÅ 2: 16 ÂÉÔ ÂÙ 16 ÂÉÔ ÄÉÖÓÏÒ = ÄÉÖÄÓÏÒ ÄÉÖÄÅÎ = ÄÉÖÉÄÅÎ/ÑÕÏÔÉÅÎÔ ÒÅÍÁÉÎ = ÒÅÍÁÉÎÄÅÒ ÄÉÖ16 ÌÄÁ #0 ÓÔÁ ÒÅÍÁÉÎ ÓÔÁ ÒÅÍÁÉÎ+1 ÌÄØ #16 (ÂÉÔ ÃÏÕÎÔ) ÎÅØÔ ÁÓÌ ÄÉÖÄÅÎ ÒÏÌ ÄÉÖÄÅÎ+1 ÒÏÌ ÒÅÍÁÉÎ ÒÏÌ ÒÅÍÁÉÎ+1 ÓÅà  ÌÄÁ ÒÅÍÁÉÎ ÓÂà ÄÉÖÓÏÒ ÔÁÙ ÌÄÁ ÒÅÍÁÉÎ+1 ÓÂà ÄÉÖÓÏÒ+1 ÂÃà ÄÅÃÂÉÔ ÉÎà ÄÉÖÄÅÎ ÓÔÁ ÒÅÍÁÉÎ+1 ÓÔÙ ÒÅÍÁÉÎ ÄÅÃÂÉÔ ÄÅØ ÂÎÅ ÎÅØÔ ÌÄØ ÄÉÖÄÅÎ ÌÄÁ ÄÉÖÄÅÎ+1 ÒÔÓ (Ì > .Ø, È > .Á, ÒÅÍÁÉÎÄÅÒ > ÒÅÍÁÉÎ/ÒÅÍÁÉÎ+1) ÒÏÕÔÉÎÅ 3: 16 ÂÉÔ ÂÙ 16 ÂÉÔ ÄÉÖÓÏÒ = ÄÉÖÄÓÏÒ ÄÉÖÄÅÎ = ÄÉÖÉÄÅÎ/ÑÕÏÔÉÅÎÔ ÒÅÓÕÌÔ = ÑÕÏÔÉÅÎÔ ÁÃÃÕÍÕÌÁÔÏÒ/ÒÅÍÁÉÎÄÅÒ ÂÉÔÃÎÔ = ÂÉÔ ÃÏÕÎÔÅÒ ÄÉÖÉÄÅ ÌÄÁ #16 (16 ÂÉÔ ÃÏÕÎÔ) ÓÔÁ ÂÉÔÃÎÔ ÌÄÁ #0 ÓÔÁ ÒÅÓÕÌÔ ÓÔÁ ÒÅÓÕÌÔ+1 ÓÅà ÎÅØÔ ÁÓÌ ÄÉÖÄÅÎ ÒÏÌ ÄÉÖÓÏÒ ÒÏÌ ÒÅÓÕÌÔ ÒÏÌ ÒÅÓÕÌÔ+1 ÓÅà ÌÄÁ ÒÅÓÕÌÔ ÓÂà ÄÉÖÓÏÒ ÔÁØ ÌÄÁ ÒÅÓÕÌÔ+1 ÓÂà ÄÉÖÓÏÒ ÂÃà ÄÅÃÂÉÔß ÓÔØ ÒÅÓÕÌÔ ÓÔÁ ÒÅÓÕÌÔ+1 ÉÎà ÄÉÖÅÎÄ (ÁÄÊÕÓÔ ÄÉÖÉÄÅÎ) ÄÅÃÂÉÔ ÄÅà ÂÉÔÃÎÔ ÂÎÅ ÎÅØÔ ÌÄÁ ÄÉÖÄÅÎ (Ì ÏÆ ÑÕÏÔÉÅÎÔ) ÌÄØ ÄÉÖÅÎÄ+1 (È ÏÆ ÑÕÏÔÉÅÎÔ) ÒÔÓ (ÌÏ× > .Á, ÈÉ > .Ø) ºU ÐÒÉÎÔ ÔÈÉÓ ÂÁÓÉà ÅØÃÌÕÓÉÖÅ ÏÒ ------------------- (Î1 & Î2 = ÎÕÍÂÅÒÓ ÔÏ ÂÅ ÅØÃÌÕÓÉÖÅ ÏÒ'Ä) Î=(Î1 ÏÒ Î2) ÁÎÄ ÎÏÔ (Î1 ÁÎÄ Î2) U ÐÒÉÎÔ ÔÈÉÓ ÍÌ ÆÏÒ-ÎÅØÔ ÌÏÏÐÓ ----------------- ÆÏÒ Á= ÔÏ Ã ÓÔÅÐ Ä -------------------- ÍÌ ÆÏÒÁ=Â: ÌÄÁ (Ì ÏÆ Â) ÌÄØ (È ÏÆ Â) ÊÍÐ Á= ÆÏÒ: ÌÄÁ (Ì ÏÆ Á) ÌÄØ (È ÏÆ Á) ÓÔÁ 34 ÓÔØ 35 ÌÄÁ (Ì ÏÆ Ã) ÌÄØ (È ÏÆ Ã) ÃÐØ 35 ÂÅÑ ÅÑÕÁÌ ÂÃÓ ÓÔÅÐÄ ÂÃà Â=<Á ÅÑÕÁÌ: ÃÍÐ 34 ÂÅÑ Â=<Á ÂÃÓ ÓÔÅÐÄ Â=<Á: ÊÍÐ ÅÎÄ ÓÔÅÐÄ: ÌÄÁ (Ì ÏÆ Ä) ÌÄØ (È ÏÆ Ä) ÃÌà ÁÄà (Ì ÏÆ Á) ÔÁÙ ÔØÁ ÁÄà (È ÏÆ Á) ÔÁØ ÔÙÁ Á=Â: ÓÔÁ (Ì ÏÆ Á) ÓÔØ (È ÏÆ Á) Ð Ì Á Ã Å Ò Ï Õ Ô É Î Å È Å Ò Å ÎÅØÔ: ÊÍÐ ÆÏÒ ÅÎÄ: ÒÔÓ ;(ÏÒ ÎÅØÔ ÒÏÕÔÉÎÅ) ÉÆ/ÔÈÅÎ ÖÅÒÓÉÏÎ ÏÆ ÆÏÒ Á= ÔÏ Ã ÓÔÅÐ Ä Á=Â: ÌÄÁ (Ì ÏÆ Â) ÌÄØ (È ÏÆ Â) ÓÔÁ (Ì ÏÆ Á) ÓÔØ (È ÏÆ Á) ÎÅØÔ: Ð Ì Á Ã Å Ò Ï Õ Ô É Î Å È Å Ò Å ÌÄÁ (Ì ÏÆ Á) ÌÄØ (È ÏÆ Á) ÃÌà ÁÄà (Ì ÏÆ Ä) ÔÁÙ ÔØÁ ÁÄà (È ÏÆ Ä) ÓÔÙ (Ì ÏÆ Á) ÓÔÁ (È ÏÆ Á) ÓÅà ÌÄÁ (Ì ÏÆ Á) ÓÂà (Ì ÏÆ Ã) ÓÔÁ 34 ÌÄÁ (È ÏÆ Á) ÓÂà (È ÏÆ Ã) ÏÒÁ 34 ÂÅÑ ÎÅØÔ ÂÃà ÎÅØÔ ÅÎÄ: ÒÔÓ ÆÏÒ Á=à ÔÏ Â ÓÔÅÐ -Ä --------------------  ÆÏÒÁ=Â: ÌÄÁ (Ì ÏÆ Ã) ÌÄØ (È ÏÆ Ã) ÊÍÐ Á=à ÆÏÒ: ÌÄÁ (Ì ÏÆ Á) ÌÄØ (È ÏÆ Á) ÓÔÁ 34 ÓÔØ 35 ÌÄÁ (Ì ÏÆ Â) ÌÄØ (È ÏÆ Â) ÃÐØ 35 ÂÅÑ ÅÑÕÁÌ ÂÃà ÓÔÅÐ-Ä ÂÃÓ Â=>Á ÅÑÕÁÌ: ÃÍÐ 34 ÂÅÑ Â=>Á ÂÃà ÓÔÅÐ-Ä Â=>Á: ÊÍÐ ÅÎÄ ÓÔÅÐ-Ä: ÌÄÁ (Ì ÏÆ Á) ÌÄØ (È ÏÆ Á) ÓÅà ÓÂà (Ì ÏÆ Ä) ÔÁÙ ÔØÁ ÓÂà (È ÏÆ Ä) ÔÁØ ÔÙÁ Á= Ã: ÓÔÁ (Ì ÏÆ Á) ÓÔØ (È ÏÆ Á) Ð Ì Á Ã Å Ò Ï Õ Ô É Î Å È Å Ò Å ÎÅØÔ: ÊÍÐ ÆÏÒ ÅÎÄ: ÒÔÓ ;(ÏÒ ÎÅØÔ ÒÏÕÔÉÎÅ) ÉÆ/ÔÈÅÎ ÖÅÒÓÉÏÎ ÏÆ ÆÏÒ Á=à ÔÏ Â ÓÔÅÐ-Ä ÌÄÁ (Ì ÏÆ Ã) ÌÄØ (È ÏÆ Ã) ÓÔÁ (Ì ÏÆ Á) ÓÔØ (È ÏÆ Á) Ð Ì !Á Ã Å Ò Ï Õ Ô É Î Å È Å Ò Å ÎÅØÔ: ÌÄÁ (Ì ÏÆ Á) ÌÄØ (È ÏÆ Á) ÓÅà ÓÂà (Ì ÏÆ Ä) ÔÁÙ ÔØÁ ÓÂà (È ÏÆ Ä) ÓÔÙ (Ì ÏÆ Á) ÓÔÁ (È ÏÆ Á) ÓÅà ÌÄÁ (Ì ÏÆ Á) ÓÂà (Ì ÏÆ Â) ÓkÔÁ 34 ÌÄÁ (È ÏÆ Á) ÓÂà (È ÏÆ Â) ÏÒÁ 34 ÂÅÑ ÎÅØÔ ÂÃÓ ÎÅØÔ ÅÎÄ: ÒÔÓ #U ÐÒÉÎÔ ÔÈÉÓ ÓÃÒÅÅÎ ÃÏÄÅÓ ÔÏ ÁÓÃÉÉ --------------------- ÂÁÓÉà ÖÅÒÓÉÏÎ 1: ---------------- (ÎÏÔÅ: Î=ÓÃÒÅÅÎ ÃÏÄÅ) 10 Î=Î+128*(Î>127) 20 Î=Î-64*(Î<32 ÏÒ Î>95)-32*(Î>63 ÁÎÄ Î<96) 30ÒÅÔÕÒÎ ÂÁÓÉà $ÖÅÒÓÉÏÎ 2: ---------------- (ÎÏÔÅ: Î=ÓÃÒÅÅÎ ÃÏÄÅ) 10 ÉÆ Î>127 ÔÈÅÎ Î=Î ÁÎÄ 127 20 ÉÆ Î<32 ÏÒ Î>95 ÔÈÅÎ Î=Î+64:ÒÅÔÕÒÎ 30 ÉÆ Î>63 ÁÎÄ Î<96 ÔÈÅÎ Î=Î+32 40 ÒÅÔÕÒÎ ÍÌ ÖÅÒÓÉÏÎ: ----------- ÓÃ-ÁÓÃ: ÌÄÁ (ÓÃÒÅÅÎ ÃÏÄÅ) ÃÍÐ #127 % ÂÃà Á<127 ÁÎÄ #127 Á<127: ÃÍÐ #32 ÂÃà ÁÌÐÈÁ ÃÍÐ #96 ÂÃÓ ÁÌÐÈÁ ÃÍÐ #64 ÂÃÓ Á<96 ÒÔÓ Á<96:ÃÍÐ #96 ÂÃÓ ÒÅÔÕÒÎ ÁÄà #32 ÒÅÔÕÒÎ: ÒÔÓ ÁÌÐÈÁ: ÃÌà & ÁÄà #64 ÒÔÓ ÁÓÃÉÉ ÔÏ ÓÃÒÅÅÎ ÃÏÄÅÓ ----------------------- ÎÏÔÅ:ÔÈÅÓÅ ÒÏÕÔÉÎÅÓ ×ÉÌÌ ÃÈÁÎÇÅ ÏÎÌÙ ÔÈÅ ÁÓÃÉÉ ÃÈÁÒÁÃÔÅÒÓ ÔÏ ÓÃÒÅÅÎ ÃÏÄÅÓ! ÂÁÓÉà ÖÅÒÓÉÏÎ 1: ---------------- (ÎÏÔÅ: Á=ÁÓÃÉÉ ÃÏÄÅ) 10 Á=Á-161-33*(Á<256)-64*' (Á<192)-32*(Á<160)+32*(Á<96)- 64*(Á<64) 20 ÒÅÔÕÒÎ ÂÁÓÉà ÖÅÒÓÉÏÎ 2: ---------------- (ÎÏÔÅ: Á=ÁÓÃÉÉ ÃÏÄÅ) 100 ÉÆ Á>63 ÁÎÄ Á<96 ÔÈÅÎ Á=Á-64 110 ÉÆ Á>95 ÁÎÄ Á<160 ÔÈÅÎ Á=Á-32 120 ÉÆ Á>159 ÁÎÄ Á<192 ÔÈÅÎ Á=Á-64 130 ÉÆ Á>191 ÔÈÅÎ Á=Á-128 140 ÒÅÔÕÒÎ ÍÌ ÖÅÒÓÉÏÎ: ----------- ÁÓÃ-ÓÃ: ÌÄÁ (ÁÓÃÉÉ ÃÏÄÅ) ÃÍÐ #63 ÂÅÑ ÎÉ1 ÂÃà ÎÉ1 ÃÍÐ #96 ÂÅÑ ÎÉ1 ÂÃÓ ÎÉ1 ÓÅà ÓÂà #64 ÎÉ1: ÃÍÐ #95 ÂÅÑ ÎÉ2 ÂÃà ÎÉ2 U ÐÒÉÎÔ ÔÈÉÓ ÒÏÍ ÖÅÃÔÏÒÓ AND ËÅÒÎÁÌ ÒÏÕÔÉÎÅÓ ------------------------------- [768/$0300] (ERRMES) = ERROR MESSAGE. [770/$0302] (WRMRST) = WARM START OR RESET. BASIC'S MAIN PROGRAM LOOP [772/$0304] (CRUNCH) = CRUNCH BASIC ASCII KEYWORDS TO TOKENS. [774/$0306] (PNTTOK) = PRINT BASIC TOKENS. [776/$0308] (SNBINS) = START NEW BASIC INSTRUCTION LINK. [778/$030A] (ARITH) = GET MATH ELEMENT LINK. [788/$0314] (HRDINT) = HARDWARE INTERRUPT (IRQ). [790/$0316] (BRKINT) = BRK INTERRUPT VECTOR. (WARM RESET). [792/$0318] (NMI) = NMI INTERRUPT. [794/$031A] (OPEN) = OPEN A FILE. [796/$031C] (CLOSE) = CLOSE A FILE. [798/$031E] (CHKIN) = SET FILE TO  READ. [800/$0320] (CHKOUT) = SET FILE TO WRITE. [802/$0322] (CLRCHN) = CLEAR CHANNELS. [804/$0324] (CHRIN) = INPUT ROUTINE. [806/$0326] (CHROUT) = PRINT A CHARACTER. [808/$0328] (STOP) = TEST FOR STOP KEY. [810/$032A] (GETIN) = GET ROUTINE. [812/$032C] (CLALL) = CLEAR ALL FILES. (ABORT I/O). [816/$0330] (LODLNK) = LOAD LINK. [818/$0332] (SAVLNK) = SAVE LINK. ËÅÒÎÁÌ ÊÕÍÐÓ ------------ 65409 $FF81 (CINT): INITIALIZE SCREEN EDITOR AND THE 6567 VIC II. 65412 $FF84 (IOINIT): INITIALIZE ALL I/O DEVICES. 65415 $FF87 (RAMTES): TESTS RAM. SETS TOP & BOTTOM POINTERS. 65418 $FF8A (RESTOR): RESTORE SYSTEM & IRQ VECTORS. 65421 $FF8D (VECTOR :  GET OR SET SYSTEM RAM VECTORS. 65424 $FF90 (SETMSG): CONTROLS SYSTEM MESSAGES. 65427 $FF93 (SECOND): SEND SECONDARY ADDR. FOR LISTEN ROUTINE. 65430 $FF96 (TKSA): SEND SECONDARY ADDR. FOR TALK ROUTINE.  65433 $FF99 (MEMTOP): GET OR SET MEMORY TOP. 65436 $FF9C (MEMBOT): GET OR SET MEMORY END. 65439 $FF9F (SCNKEY): SCAN THE KEYBOARD. 65442 $FFA2 (SETTMO): SET IEEE BUSS CARD TIME OUT FLAG. 65445 $FFA5 (ACPTR ): GET DATA FROM SERIAL PORT. 65448 $FFA8 (CIOUT): SEND A BYTE OVER SERIAL BUSS. 65451 $FFAB (UNTALK): STOP SENDING DATA TO A SERIAL BUSS DEVICE. 65454 $FFAE (UNLSN): STOP GETTING DATA FROM A SERIAL B US DEVICE 65457 $FFB1 (LISTEN): SET A DEVICE ON SERIAL BUSS TO READ. 65460 $FFB4 (TALK): SET A DEVICE ON SERIAL BUSS TO SEND. 65463 $FFB7 (READST): READ STATUS BYTE. 65466 $FFBA (SETLFS): SET LOGICA L FILES. 65469 $FFBD (SETNAM): SET FILE NAME. 65493 $FFD5 (LOAD): LOAD ML. 65496 $FFD8 (SAVE): SAVE ML. 65499 $FFDB (SETTIM): SET SYSTEM CLOCK. 65502 $FFDE (RDTIM): READ SYSTEM CLOCK. 65514 $FFEA (UDTIMÎ): UPDATE SYSTEM CLOCK. 65517 $FFED (SCREEN): RETURN SCREEN FORMAT. 65520 $FFF0 (PLOT): GET OR SET CRSR ON SCREEN. 65523 $FFF3 (IOBASE): GET ADDRESSES OF DEVICES.  U ÐÒÉÎÔ ÔÈÉÓ ÓÅÔ ÆÏÎÔ -------- ÐÏËÅ 53272,ÆONT NUMBER 19 ÆONT AT ÐAGE 8 21 ÄEFAULT ÕPPER ÃASE/ÇRAPHICS 23 ÄEFAULT ÌOWER ÃASE/ÕPPER ÃASE 25 ÆONT AT ÐAGE 32 27 ÆONT AT ÐAGE 40 -29 ÆONT AT ÐAGE 48 31 ÆONT AT ÐAGE 56  ! 160 ÂÁÓÉà ÒÏÍ.................! 168 ..........................! 176 ..........................! 184 .......................... -------------- ÖIDEO ÂANK 3 192 ÏPEN ÍEMORY ! 200 ! 208 É/Ï......¼.................! 216 ..........................! 224 ËERNAL ÒÏÍ................! 232 ..........................! 240 ..........................! 248 ..........................! ORY ! 200 ! 208 É/Ï......U ÐÒÉÎÔ ÔÈÉÓ ÂÓÁÖÅ ----- ÇÅÔ ÌÏ×/ÈÉÇÈ ÂÙÔÅÓ ------------------ ÄÅÆÆÎÈ(Ø)=ÉÎÔ(Ø/256) ÄÅÆÆÎÌ(Ø)=Ø-ÆÎÈ(Ø)*256 ÂÓÁÖÅ ----- ÓÙÓ 57812"ÆÉÌÅÎÁÍÅ",ÄÖ,0 ÐÏËÅ 173,ÆÎÌ(ÂÅÇÉÎ) ÐÏËÅ 174,ÆFÎÈ(ÂÅÇÉÎ) ÐÏËÅ 193,ÆÎÌ(ÅÎÄ+1) ÐÏËÅ 194,ÆÎÈ(ÅÎÄ+1) ÓÙÓ 62954 U ÐÒÉÎÔ ÔÈÉÓ ÂÌÏÁÄ ----- ÇÅÔ ÌÏ×/ÈÉÇÈ ÂÙÔÅÓ ------------------ ÄÅÆÆÎÈ(Ø)=ÉÎÔ(Ø/256) ÄÅÆÆÎÌ(Ø)=Ø-ÆÎÈ(Ø)*256 ÂÌÏÁÄ ----- ÓÙÓ 57812"ÆÉÌÅÎÁÍÅ",ÄÖ,0 ÐÏËÅ 780,0 ÐÏËÅ 781,ÆÎÌ(ÁÄÄÒ) % ÐÏËÅ 782,ÆÎÈ(ÁÄÄÒ) ÓÙÓ 65493 ¿U ÐÒÉÎÔ ÔÈÉÓ ÃÁÒÒÙ ÆÌÁÇ ÆÒÏÍ ÂÁÓÉà --------------------- ÓÅÔ --- ÐÏËÅ 783,ÐÅÅË(783) ÏÒ 1 ÃÌÅÁÒ ----- ÐÏËÅ 783,ÐÅÅË(783) ÁÎÄ 254 U ÐÒÉÎÔ ÔÈÉÓ ÍÌ ÇÅÔ Á ÎÕÍÂÅÒ ÆÒÏÍ ÂÁÓÉà -------------------------- ÂÁÓÉÃ: ÓÙÓ ADDR,N ÍÌ (AT ADDR) ÊÓÒ 44797 ($ÁÆÅÄ) ÊÓÒ 44426 ($ÁÄ8Á) ÊÓÒ 47095 ($Â7Æ7) ETC. ÒÔÓ (ÌÏ× > .Ù, ÈÉÇÈ > .Ám) ÂÅÔÔÅÒ: ÓÔÙ 2 ÊÓÒ 44797 ÊÓÒ 44426 ÊÓÒ 47095 ÔÁØ ÔÙÁ ÌÄÙ 2 ETC. ÒÔÓ U ÐÒÉÎÔ ÔÈÉÓ ÇÅÔ Á ÓÔÒÉÎÇ ÆÒÏÍ ÂÁÓÉà ----------------------- ÂÁÓÉÃ: ÓÙÓ ADDR,N$ ÍÌ (AT ADDR) ÊÓÒ 44797 ($ÁÆÅÄ) ÊÓÒ 44446 ($ÁÄ9Å) ÊÓÒ 46755 ($Â6Á3) ETC. ÒÔÓ. (ÌÅÎÇÔÈ > .Á, ÌÏ× > .Ø, ÈÉ > .Ù) U ÐÒÉÎÔ ÔÈÉÓ ÃÈÁÎÇÅ Á ÎÕÍÂÅÒ ÔÏ Á ÓÔÒÉÎÇ --------------------------- ÌÄØ #NUMBER ÓÔÁ 98 ($62) ÓÔØ 99 ($63) ÌÄØ #144 ($90) ÓÅà ÊÓÒ 48201 ($ÂÃ49) ÊÓÒ 48607 ($ÂÄÄÆ) ETC1. ÒÔÓ (ÌÅÎÇÔÈ > .Á, ÌÏ× > .Ø, ÈÉ > .Ù) äU ÐÒÉÎÔ ÔÈÉÓ ÆÉÎÄ Á ÓÔÒÉÎÇ ÖÁÒÉÁÂÌÅ ÁÄÄÒÅÓÓ ------------------------------ ÂÁÓÉà Á$=ÓÔÒ$(ÐÅÅË(71)+256*ÐÅÅË(72)) Á =ÖÁÌ(Á$) ÌÅÎ = ÐÅÅË(Á) ÌÏ× = ÐÅÅË(Á+1) ÈÉ = ÐÅÅË(Á+2) U ÐÒÉÎÔ ÔÈÉÓ ÐÕÔ ÃÕÒÓÏÒ ---------- ÂÁÓÉà ÐÏËÅ 211,ÃÏÌ. (0-39) ÐÏËÅ 214,ÒÏ×. (0-23) ÓÙÓ 58732 ÍÌ ÌÄØ #ÒÏ× ÌÄÙ #ÃÏÌ ÃÌà ÊÓÒ 65520 ÇÅÔ ÃÒÓÒ ^---------- ÂÁÓÉà ÐÏËÅ 783,ÐÅÅË(783) ÏÒ 1 ÓÙÓ 65520 (ÒÏ× > .Ø, ÃÏÌÕÍÎ > .Ù) ÉU ÐÒÉÎÔ ÔÈÉÓ ÓÈÉÆÔ ÌÏÃË ÐÁÕÓÅ ------------------ ÂÁÓÉà 10 ÉÆ ÐÅÅË(653)=1 ÔÈÅÎ 10 ÍÌ ÐÁÕÓÅ ÌÄÁ 653 ÃÍÐ #1 ÂÅÑ ÐÁÕÓÅ  U ÐÒÉÎÔ ÔÈÉÓ 2^ ÎÕÍÂÅÒ --------- .Ù < ÂÁÓÅ ÎÕÍÂÅÒ ÌÄÙ (ÐÏ×ÅÒ) ÌÄÁ #1 ÃÐÙ #0 ÂÅÑ ÅÎÄ ÃÌà ÓÈÉÆÔ ÒÏÌÁ ÄÅÙ ÂÎÅ ÓÈÉÆÔ ÅÎÄ ÒÔÓ (ÒÅÓÕÌÔ > .Á) "U ÐÒÉÎÔ ÔÈÉÓ ÊÏÙÓÔÉÃËÓ --------- ÐÏÒÔ 1 (ÊÓ1) = 56321 ÐÏÒÔ 2 (ÊÓ2) = 56320 ÆÉÒÅ ÂÕÔÔÏÎÓ: ÊÓ1 = 145 & 56465 (ÏÎ = 239, ÏÆÆ = 255) ÊÓ2 = 56464 (ÏÎ = 111, ÏÆÆ = 127) # ÖÁÌ ÄÉÒ 1 = Î (ÕÐ) 2 = Ó (ÄÎ) 4 = × (ÌÆÔ) 5 = Î× 6 = Ó× 8 = Å (ÒÈÔ) 9 = ÎÅ 10 = ÓÅ 16 = ÆÉÒÅ ÂÕÔÔÏÎ 5 1 9 4 . 8 6 2 10 ç ÆÒÏÍ ËÅÙÂÏÁÒÄ --------------- ÐÏÒÔ 1 ÐÏÒÔ 2 ÓÐÁÃÅ = Æ ÃÔÒÌ Ê = Æ 1 ËÅÙ = ÕÐ ÃÔÒÌ Á = ÄÎ 2 ËÅÙ = ÒÈÔ ÃÔÒÌ Ä = ÌÆÔ ÃÔÒÌ = ÌÆÔ ÃÔÒÌ Ç = ÒÈÔ <- ËÅÙ = ÄÎ ÃÔÒÌ ÃÒÓÒ <-> = ÕÐ %U ÐÒÉÎÔ ÔÈÉÓ ÕÎÌÉÎË ÓÃÒÅÅÎ ÌÉÎÅÓ ------------------- ÂÁÓÉà ÆÏÒ ÕÌ=217 ÔÏ 242 ÐÏËÅ ÕÌ,ÐÅÅË(ÕÌ) ÏÒ 128 ÎÅØÔ ÍÌ ÌÄÙ # 24 ÕÎÌÉÎË ÌÄÁ 217,Ù ÏÒÁ #128 ÓÔÁ 217,Ù 1 ÄÅÙ ÂÐÌ ÕÎÌÉÎË ÒÔÓ íU ÐÒÉÎÔ ÔÈÉÓ ÁÄÄ (,8,1:) ÁÆÔÅÒ ÑÕÏÔÅÓ -------------------------- ÏÐÅÎ 15,8,15,"Ò0:ÆÉÌÅÎÁÍÅ"+ÃÈÒ$(160)+ "L8L 1:=(ÆÉÌÅÎÁÍÅ)":ÃÌÏÓÅ 15 (L=ÃÍÄ Ä) ÒESULT: 45 "B.PROG",8,1: ÐÒÇ U ÐÒÉÎÔ ÔÈÉÓ ÔÏ ÁÐÐÅÎÄ ÂÁÓÉà --------------- (1)ÌÏÁÄ ÐÒÏÇ. ÔÈÅÎ ÐÅÅË 43, 44, 45 ÁÎÄ ÒÅÃÏÒÄ ÖÁÌÕÅÓ. (2) ÉÆ ÐÅÅË(45) => ÔÈÁÎ 2 ÔÈÅÎ ÐÏËÅ 43,ÐÅÅË(45)-2 ÁÎÄ ÐÏËÅ 44, ÐÅÅË(46) ÔÈÅÎ ÌÏÁÄ Î <þþþþÿÿÿfffffÿfÿff>`<|bf 0fF`|ff<~f |00`0~~p  pþîî.°°PPÀÀ R‚"â’R‚²’"Âr"RâBRö°^®îNNÞ^nN.À@@ À@0À R"2²ÒòòRrÒ2â²r’‚ò"&¾îžŽ.^þnîРÐð°`°’Ò‚""bâb¢¢R²Ò"brb掮ޞ^¾þ¾ž€ðP°  p Òò‚¢²âr²Òâ’bòrrr"–Nî~žÞN>ŽŽ>Ž¾.^îž~Þ>. ŽvæöF¶öf涆–VÖF&f¶þî~Îþ~ž.N>žN^¾.ÎÞ®.^n^–¶ÖÎ>.¾N®î^înÞ®î®>îîNÎÎnžÎîîŽÞ.n®¾¾ž®.Ž¾.n^®ÞÎÎÞ®~ŽÎ®>^n®ŽžN~.þÞþŽÎÎ^Þnn.î>^¾žn~ž^NNÎ.Ž^þ^nŽþ¾Î.~.ŽÞÞ~^~Þ¾¾ž>ŽÞ^î^~þ®Þ.žîNÎî¾®N®®®nŽþ>Þ®Ž^Þþ¾~Ž®~Þ¾N.~.žþ.ÞÎÞ~ŽNþ~Îþξþ>~N..Žî~Ž¾®~ž~¾žî¾În~..žþî^îÞ>îΞþŽžnÞNŽNŽ®ž~n®¾®>~þ>žN>>®.Þþ>În>n>n~ž>ŽÀЀÀÀ€¦>ŽžÞ¾î®þ^n®N¾>žnîŽ>î^~nþNþ.¾~îþn>ž^^Î^®Î^^î®þþ¾~þîîÞž®n.þ.>>^¾Þ>îŽþž¦ööƆ¶î®®~žNþ.^>ž>þžNÞžž^^žN^ŽÎNînþ..^~ÞÞ¾¾~þ^¾žŽn^ÎîîžήÞîn>>Þž¾Þ^žÞNþž  àP0v~¾>~þ¾>~þΞî®®þ>.îžî~^ξÞþ~Þ.N>>¾ÎF^^NN>^Ž¾îÞžþ®n®¾þÞn~®~Þî¾^nŽ®^&v¶n>^®Ž¾Nîþ>Þnþ¾¾þ¾.>¾^>În^Þnn¾~î>N¾ž.ŽÞî~^N>ÞÞnÞî..žn~~®®>NÞn~pà `@@à®Æ®þ>ÞN.Î.Þþ^~žîÞξŽn.ÞŽîÞ^Nž^NNž`¾î6^nþ.^>ξNN>~nþîþ~þNnNž®nþF¶ÆF¶Ö¶¶¶F>>žN^þŽ~ÎnNnn.ÞŽð@ÞÞN¾^.žxpÀÐ €râb’‚2R"’bÒB"r‚¢Ò¢€ ž®þþþNþΫ›;[ë‹K K+«û«»ëkëû   qqqÄÓÆèȈ:qÄÓÆèȈ$:‚ßD˜4,Ç(0)Ç(0)Ç(0);:˜4: 4ìDPP$²"":‚úDB.QR:.ER:ŽEL‹É(PP$,1)²Ç(199)§1150-EN‹É(PP$,1)²Ç(10)§1150FEP‹É(PP$,1)²Ç(13)§1150LERŽjE~PP$²È(PP$,Ã(PP$)«1):‰1100E°CH$²Ê(PP$,I%ª2,1):‹CH$²""§1100:Ž©E±‹I%²1§PP$²Ê(PP$,3):Ž½E²‹CH$²Ç(13)§1250ÏE´‹CH$²" "§1260 F¶‹I%±1§‹Ê(PP$,I%«1,1)²" "§PP$²È(PP$,I%«1)ªÊ(PP$,I%ª2):Ž0F¸PP$²È(PP$,I%«1)ª" "ªÊ(PP$,I%ª2):ŽXFâPQ$²È(PP$,I%):PP$²Ê(PP$,I%ª4):‰1300‚FìPQ$²È(PP$,I%«1):PP$²Ê(PP$,I%ª2):‰1300“F‹Ã(PQ$)³39§ŽF.OF:¦FÐI²38´FÒ‹I²0§2008ÕFÔ‹Ê(PP$,I,1)³±" "§I²I«1:‰2002ùFÖPQ$²È(PP$,I«1):PP$²Ê(PP$,Iª1):ŽGØPQ$²È(PP$,38):PP$²Ê(PP$,39):Ž8G¸ .RK,248¬256:KK²0:X²1¤N%SGº .RI,X:F$²È(W$,Ã(W$)«4)tG¼ Ÿ1,DV,15,"R0:T."ªF$ª"=T."ªF$G¾ „1,EN: 1—GÀ ‹EN³±62°EN²63§‚:Ž¸G KK²KKª1:F$(KK)²W$:L(KK)²L(X)ÀGÄ ‚:ŽÚGˆ.BX,14,24,13,17,160,6þG‰.BX,13,23,12,16,160,7:.TX,7ª128,HŠ.P@,14,13,"ÄRIVE"ªÄ(DV)ª"ˆÄIRECTORYˆÑUIT"JHŒ.MU,14,22,13,15,7,1,"DIQ"bH‘SL%‰5100,5200,5300lHë.OF:HìK²831: 2:X²8¤29HîŸ2,X,2: 2¤Hð‹ST²0§K²Kª1:—K,X²Hò‚:—186,DVÒHó.BX,28,32,13,15ªK«832,160,6òHô.BX,27,31,12,14ªK«832,160,7IöQ²13:X²832¤KIø.P@,28,Q,Ä(Â(X))%IúQ²Qª1:‚FIü.MU,28,30,13,13ªK«832,7,7,""XIþDV²Â(831ªSL%)bI.ER:ŽIP.B$,"$:*",DV,160¬256,200³IQ.ML,5,255,3,24,7,1,0,0,160¬256,"ÄRIVE"ªÄ(DV),B$½IR.ER:ŽÇI³.OF:ÑI´.ER:ŽêI@œI²0¤21:—828ªI,8ªI:‚JJœ‹DV³8°DV±29°DV²8§400303JTœA²Â(828):B²Â(828ªDV«8):—828,B:—828ªDV«8,AgJ^œA$²"HELLO CONNECT":J²8¤29:I²Â(828ªJ«8):‹I²14§‚‚Jhœ 2:Ÿ2,I,2: 2:‹ST§40060»Jrœ 15:Ÿ15,I,15,"R0:"ªA$ª"="ªA$:„15,ER: 15:‹ER²63§40070ÙJ|œ‚:™"“":—53272,23:—186,8:€K†œQ$²Ç(34):—646,Â(53281):™"“":—53272,23FKœ™"“PÏ2048,0:PÏ44,8:PÏ43,1:PÏ56,160:PÏ55,0:CLR:LÏ"Q$A$Q$","IpKšœ™"RUN:":—631,13:—632,13:—198,2:€ŒK`êD²8:60008:N$²N$ª".DOT"´KaêŸ1,D,15,"I0":˜1,"S0:"ªN$: 1:”N$,D:€ÆKhêN$²"TXT TO T"ÌKiêŽ ñ·Ž>À ñ·Ž=À Æÿ¢¤ðL'À Ïÿ @À›Àèì>ÀÐê Š‘-È©›‘-È©À‘- Ìÿ`LëÀÉ ðöÉARÉ`Щ_ÐJɒЩ'ÐBÉ~ð>ɓЩ"Ð6É^ð2ɔЩ"Ð*É\ð&É_ЩäШ) ?À˜) @¬?ÀÐ €ÉÛðÉÝðÐ)`©  ›Àèˆù`f>``|ff|<```<>ff>>ff>|``|fff8<<``lxlf8<fkc|ffffff>|f```>`<|~ffff>fff<ck>6f< x~ 0~<00000< 0|0bü<U ÐÒÉÎÔ ÔÈÉÓ ÓÉÄ ÓÏÕÎÄ ÒÅÇÉÓÔÅÒÓ V1 V2 V3 DESCRIPTION -- -- -- ----------- 54272 54279 54286 SOUND FREQ LO 54273 54280 54287 SOUND FREQ HI 54274 54281 54288 PULSE LO NYBBLE 54275 54282 54289 PULSE HI BYTE 54276 54283 54290 CONTROL REG: BITS 0 GATE ON/OF 1 SYNCH 2 RING 3 DISABLE 4 TRIANGLE WAVE  5 SAWTOOTH WAVE 6 PULSE WAVE 7 RANDOM WAVE 54277 54284 54291 ATTACK/DECAY BITS 0-3 ATTACK 4-7 DECAY 54278 54285 54292 SUSTAIN/RELEASE  BITS 0-3 RELEASE 4-7 SUSTAIN 54293 FILTER CUTOFF:LO NYBBLE 54294 FILTER CUTOFF:HI NYBBLE 54295 FILTER RESONANCE BITS 0 V1 FILTER OUTPUT 1 V2 FILTER OUTPUT 2 V3 FILTER  OUTPUT 3 EXTERNAL FILTER INPUT 4-7 ROSONANCE SWITCH 54296 VOLUME AND FILTER MODE. BITS 0-3 VOLUME (0=OFF/1-15=ON). 4 LOWPASS FILTER SWITCH 5 BANDPASS FILTER SWITCH 6 HIGHPASS FILTER SWITCH  7 VOICE 3 CUTOFF "U ÐÒÉÎÔ ÔÈÉÓ Ó Ð Ò É Ô Å Ò Å Ç É Ó Ô Å Ò Ó ------------------------------- 2040 = SPRITE 0 DATA POINTER. 2041 = SPRITE 1 DATA POINTER. 2042 = SPRITE 2 DATA POINTER. 2043 = SPRITE 3 DATA POINTER. 2044 #= SPRITE 4 DATA POINTER. 2045 = SPRITE 5 DATA POINTER. 2046 = SPRITE 6 DATA POINTER. 2047 = SPRITE 7 DATA POINTER. ÔHESE ARE THE SPRITE POINTERS WHEN THE SCREEN IS AT ITS DEFAULT LOCATION ($0400 OR 1024). ×HEN THE SCREEN HAS BEEN MOVED THE SPR$ITE POINTER LOCATIONS CAN BE FOUND WITH THIS FORMULA: PEEK(648)*256+1016 V = 53248 V+0 53248 = SPRITE 0 X-AXIS. V+1 53249 = SPRITE 0 Y-AXIS. V+2 53250 = SPRITE 1 X-AXIS. V+3 53251 = SPRITE 1 Y-AXIS. V+4 53252 = SPRIT%E 2 X-AXIS. V+5 53253 = SPRITE 2 Y-AXIS. V+6 53254 = SPRITE 3 X-AXIS. V+7 53255 = SPRITE 3 Y-AXIS. V+8 53256 = SPRITE 4 X-AXIS. V+9 53257 = SPRITE 4 Y-AXIS. V+10 53258 = SPRITE 5 X-AXIS. V+11 53259 = SPRITE 5 Y-AXI&S. V+12 53260 = SPRITE 6 X-AXIS. V+13 53261 = SPRITE 6 Y-AXIS. V+14 53262 = SPRITE 7 X-AXIS. V+15 53263 = SPRITE 7 Y-AXIS. BIT LOGIC V+16 53264 = 0-7 HI Ø BIT V+21 53269 = 0-7 ENABLE. V+23 53271 = 0-7 Ù-E'XPAND V+27 53275 = 0-7 PRIORITY V+28 53276 = 0-7 MULTICOL V+29 53277 = 0-7 Ø-EXPAND V+30 53278 = 0-7 S/S COLLISION V+31 53279 = 0-7 S/B COLLISION V+37 53285 = MULTICOLOR 0 V+38 53286 = MULTICOLOR 1 V+39 53287 = SPÿRITE 0 COLOR. V+40 53288 = SPRITE 1 COLOR. V+41 53289 = SPRITE 2 COLOR. V+42 53290 = SPRITE 3 COLOR. V+43 53291 = SPRITE 4 COLOR. V+44 53292 = SPRITE 5 COLOR. V+45 53293 = SPRITE 6 COLOR. V+46 53294 = SPRITE 7 COLOR.  AND ALL FOUR BACKGROUND COLORS EMBEDDED IN THE MEMORY BELOW THE SCREEN BUT ABOVE THE SPRITE POINTERS. ÏNE NYBBLE EVEN INDICATES IN WHICH COLOR MODE THE IMAGE SHOULD BE DISPLAYED. ÔO ACCESS AND USE THIS INFORMATION IN YOUR OWN PROGRAM, USE THE FOLLOWING ÂASIC: ÓÙÓ <ÒESTORE>,<ÐAGE> ÐÏËÅ 53280,ÐÅÅË(2024) ÐÏËÅ 53281,ÐÅÅË(2025) ÐÏËÅ 53282,ÐÅÅË(2024)/16 ÐÏËÅ 53283,ÐÅÅË(2025)/16 ÐÏËÅ 53284,ÐÅÅË(2039) Á=ÐÅÅË(2039)ÁÎÄ192 ÉÆÁ=0ÔÈÅÎÐÏËÅ53265,27:ÐÏËÅ53270,200 ÉÆÁ=64ÔÈÅÎÐÏËÅ53265,91 ÐÏËÅ53270,200 ÉÆÁ=128ÔÈÅÎÐÏËÅ53265,27: ÐÏËÅ53270,216 ÔHE FILENAME TO WHICH YOU SAVED THE IMAGE IN ÍÒ.ÍÉÃË IS ALSO EMBEDDED IN THIS FREE MEMORY AREA, BEGINNING WITH A 255 AT 2026: 2026 255 2027 "Æ" 2028 "É" 2029 "Ì" 2030 "Å" 2031 255 ÎOTE THE 255 THAT MARKS THE END OF THE FILENAME. ÍÒ.ÍÉÃË WOULD BE IMPOSSIBLE WITHOUT ÍÒ. ÍÏÕÓÅ. ÂESIDES TRUE PROPORTIONAL MOUSE/DYNAMIC JOYSTICK CONTROL, ÍÍ HAS A FAIR TOOLBOX PACKED IN ITS 4 Ë OF MEMORY. ÆUNCTIONS NOT IN ÍÒ. ÍÏÕÓÅ -- SUCH AS COPF,×%Ø%Ù% øÚ%Š*ª­×%m×%×%­Ø%mØ%Ø%­Ù%mÙ%Ù%ˆÐÜØ ,­Ù% H7Œ­Ø% H7ŽŒ­×% H7ŽŒ¢½É0Ð © èàÐï `¨JJJJ 0ª˜) 0¨`…ý†þ…û†ü F,…ž…Ÿ¨±ûð ÈÐùæü C,ðò º)˜ Ã5…ø¥û…÷ ±ýð?É ðÈÐõð6˜ª©w…X x„¥ý‘ûÈ¥þ‘ûÈŠ‘û8eý…ýæþ¥ûi…ûæüæžÐÀæŸL‚7 ,¥÷¦ø`…û†ü8íO%ŠíP%x „°!¥ûû&ü Å5­M%®N% Å5±û…"ȱû…#ȱû…¶`˜…¶` W7M%ŽN%¤ž¥Ÿ¢NŒO%P%` s) 8Lu*8é°Ê Ï7 )…¶ð±"™ÈĶðÀPÐò„¶ ,ÀЭÉ"Т½0É"ðèàÐñ¢†û˜¢ ` s) &8¨©W ×/¦û¤ûð ½0Ê÷©FL×/­M%…û­N%…ü LF,8é°ÊIÿ…žŠIÿ…Ÿ 8ª†þìO%Ð¥þÍP%ð!±ûæžÐæŸðèÐæþ¥ûi…ûÚæü C,ðÓ ,Ši¦þè` Ÿ8L&8 s) Ÿ8Ls8 á) s) &8L* á) s) &8¥û¢0L* á) s) Ÿ8L9 á) s) Ÿ8L9H©ï% D9hÃ% D9L=¬Ã%ˆ˜e´Ö% s9 Ï7)…¶¢,¢Îï%Ð轿%…Ÿ)€z0LM0­ð%mÃ%ô%®ñ%èíO%ŠíP%¢Žô%Žõ%­ô%8é°Ê`  s)™ú%Š™û%ÈÈÀÐð`†û„ü ±û™ú%ˆø`&Ž&Œ&`&Ž&Œ&` L3Ž»%,È%Lë2­j%¬k%Ìì%ðÌë%ÐÍé%Íê%°Íê%°Íé%°èèèèŽÅ%`©…Ç­î%†¦²¬ë% ä) ~ E:­ê%›% ‚ E:­ì%œ% † E:¥²›% Š ê)ª &©L*æÇ­í%†¥²iª¬ë% ä)®&¬&­& *®›%¬ì% ä)®&¬&­&L*$8n¾% “) ¬)í%Žî% ¬)¿%ŽÀ%( ¬)Á%ŽÂ% s)àð 8 …) Á9 …) Ë90$8n¾% Å)í% Žî% ×)¿%ŽÀ%( ×)Á%ŽÂ% ×)àð 88n¾%¥²È%)…²$³i…³ #, 3Ll;$³i…³8¥³å²É ¥µå´É°` #,© …ž­í%)…Ÿ d- 3æ²Æ³æ´Æµ -¢µ²}z&é%Êôæ´æ´ÆµÆµ : P: n3 !>­ü%…û¬ý%­O%®P% ==¢ ­=¦³¤´ Þ,¢†ÇèŽÃ% Þ< Õ9 e+ðÍÃ%ð 19­Ê%ð^L <­è%®Å%¬Ë%ðàðàТð¢ÿIÿi  T=Lš;¬Ê%ð2Ê0/ð¯Êð$Êð!Êð!ÊðÝÊðáÊ,¾%Pàð ° ­= æBò.$P,F$:K²Kª1:L(K)²Å(W$)¬254:‚:NBô‹K²0§:.OF:cBõ3000:‹KK²0§1090‚Bö.TX,1:.PC,7,Ä(KK)ª" ÆILES"¡BþXX²1¤KK:.BX,0,39,8,9,32,1ÈBÿ.TX,1:.PC,8,"ÐROCESSING "ªF$(XX):™çBŸ4,DV,4,F$(XX):.$L,117¬256ùBK²0:‹ST²0§K²1,Cž49152,38,4:L(XX)²L(XX)«Ã(VV$):™£17)L(XX)" ‘"GCPP$²PP$ªVV$:PQ$²Ç(255)\C‹K²0§1100:‰1039~C.$I,CR$,PP$:‹I%²0§2000:‰1034•C‹I%±38§2000:‰1034°C1200:‹PQ$²Ç(255)§1030ÇC .$P,PQ$:PQ$²Ç(255)ÕC ‹K²0§1039éC ‹Ã(PP$)±38§1030÷C‹K²1§1025D‹Ã(PP$)±0§:.$P,È(PP$,Ã(PP$)«1)*D.$P,Ç(0): 4:D.RK,117¬256\DF$²"T."ªÈ(F$(XX),Ã(F$(XX))«4)‹D.BX,0,39,8,9,32,1:.TX,7:.PC,8,"ÓAVING "ªF$ªDŸ4,DV,4,F$ª",P,W":˜4," ";ÄDY²1¤N%:.RI,Y:˜4,W¢ 5 #,èìæ%Ðô 3,Ç%­Ü%…² -(P®á%¤´ Þ,¢© ‘2 L3 ë2¢ 5 e+Ð(èìæ%Ðò­Ç%J°¬Ê%ð,,È% ®Å%ðŠ €Lâ4)ÐLà4ìç%ÐÍÃ%ð ‘2­Ê%ðLÑ4 äÿÆ%ªðª®ç%¬Ã%É ð_ÉðÉ‘ð0Éð/Éð.Éð-ÍA%Ð+,È%0P­Ç%)ðI©®æ%mÄ%¨ÊÐøL…5L4L-5L85LC5LN5 ÿÈĶðê±"ðæÍÆ%ÐòÈ,È%ؘ €0®ç%­Ã%Ê0mÄ%÷©H 03­Ç%)ðŠ ‘2­Ç%)Ð,¾%0 hH¨©¢ È*h`¥´mÃ%¨ˆ¦³LÞ,½Ü%…²½á%…³`™Ü%Š™á%ÈÌæ%` `5$ s5LV5 j5 |5LV5 s5 `5LV5 |5 j5˜ ‘2 5L4ˆÐ¬Ä%8``ÌÄ%È `Êò®æ%Ê8`èìæ%¢`˜H¢ÍÄ%ð íÄ%èìæ%Ðððìç%ÐÍÃ%ð ‘2 5hLâ4æ%ª¹?%Ç%Êàhh `¢eû…ûŠeü…ü`…ý†þþÐÆþ  / „ž„Ÿ äÿ™)ÈÀ"Ðõ F,¨‘û , äÿH äÿªh ×6¹™ÿˆÐ÷©  äÿÉ ðùHÐ äÿ™ÈÀÐõhÉBР¹™ˆ÷­LŸ/ ·ÿ)Bð  O© ™ˆúLŸ/¥žÅýÐ¥ŸÅþР¹e&™ˆ÷LŸ/æžÐæŸ F,¨¹‘ûÈÀÐö© ‘û ,Ș Ã5 äÿÉ ðù äÿ äÿLð5 ~/ s)…û†ü s) Ð5 ©B ×/ ¹0™ˆ÷ ©T ×/ §/ Ô/¤ž¥Ÿ¢NLu*Ú% YMEM, SWAPPYMEM, AND PRINT CENTER -- WERE AVAILABLE FROM ÓMART ÂOOT. ÄURING THE BOOT, É COPIED THE RELOCATABLE CODE UP TO SAFE MEMORY WHERE É COULD FIND IT ONCE ÍÒ.ÍÉÃË WAS RUNNING. ÁND THE ÐRINT FUNCTION WAS COMPLETELY IMPOSSIBLE WHEN É BEGAN ÍÒ.ÍÉÃË. ÁS USUAL, ÆENDER HAD THAT ONE-MORE-NIFTY-IDEA. ÂOB ÍARKLAND'S TINY MODULE WORKED LIKE A CHARM FROM THE FIRST ATTEMPT. ÁDAPTING THE ÕÐÄÃODES FILE FOR MY ÎØ-10à PRINTER TOOK ONLY A FEW MINUTES. ÈOWEVER, É HAVE INCLUDED THE ÅPSON STANDARD CODE FILE HERE. ÙOU CAN MAKE IT WORK FOR YOUR OWN PRINTER WITH THE EDITOR ON ÌÏÁÄÓÔÁÒ #154. ÅGADS! ÔHE Ã-64 IS EXPLODING WITH NEW LIFE! ÅVEN IF YOU ARE A PURIST OR A PAUPER, AND CHUG ALONG WITH NOTHING BUT AN UGLY BROWN-ROUND KEYBOARD AND UNENHANCED 1541, THE POWER AND POSSIBILITIES ARE EXPANDING EXPONENTIALLY. ÆOR GOODNESS' SAKE, AT LEAST GET AN ÆÄ DRIVE -- IF FOR NO OTHER REASON THAN THAT METAL FLAP PROTECTS THE DISK SO MUCH BETTER! ÅVEN WITHOUT ÊIFFYÄÏÓ, THE ÆÄ IS QUICKER THAN A CLUNKY 1541. ÁND ÌÏÁÄÓÔÁÒ IS A REALLY JOYFUL EXPERIENCE WITHOUT THE SWAP 'N' FLIP! [ÎOTE FROM ÊEFF:] ÉT IS MY BELIEF THAT THE 1541 IS THE WEAK LINK IN THE Ã-64 CHAIN. ÁS THESE DEVICES BECOME LESS RELIABLE AND HARDER TO USE, PEOPLE THROW UP THEIR HANDS IN FRUSTRATION AND GO ÐÃ. ÔHERE IS NOTHING WRONG WITH GOING ÐÃ. É JUST DON'T UNDERSTAND HOW SOME CAN RESIST BUYING A $150 ÆÄ DRIVE YET SPEND THOUSANDS ON A NEW ÐÃ. ÇET BOTH IF YOU'RE GOING TO DO THAT. ÊEFF OUT. Á CORRESPONDENT TELLS ME HE GOT AN ÆÄ AND ÊIFFYÄÏÓ, ONLY TO FIND OUT THAT THE CHIP IN HIS Ã-64 WAS SOLDERED DOWN TIGHT. ÒATHER THAN DE-SOLDERING DAMAGE TO THE MOTHER BOARD, HE INVESTED IN A ÓUPERÃÐÕ. ÈE WAS A BIT IRKED THAT HE HAD TO ALSO GET A NEW POWER SUPPLY TO HANDLE THE EXTRA LOAD. ÏN THE OTHER HAND, HE NOW ENJOYS THE QUICK DISK SPEED. ÆOR ABOUT $250, HE NOW ÈÁÓ 20 ÍÈZ, A PROPER DISK MEDIUM FOR THE TIMES, AND MUCH MORE. [ÆÅÎÄÅÒ'Ó ÐÏÓÔÍÕÍÂÌÅ:] É HADN'T REALIZED THAT ÃOMMODORE HAD GOTTEN SO UNFRIENDLY AS TO USE UNSOCKETED ÄÏÓ CHIPS IN THEIR LATER MODELS, BUT HERE'S ANOTHER WAY AROUND IT. ÉNSTEAD OF GETTING A ÓUPERÃÐÕ TO PROVIDE ÊIFFYÄÏÓ TO THE COMPUTER, HOW ABOUT A ÒÁÍÌINK? É THINK THAT FOR THE AVERAGE USER, A SUPERFAST DRIVE (WHICH IS WHAT ÒÁÍÌINK BASICALLY IS) IS MORE USEFUL THAN THE 20 ÍÈZ PROCESSING SPEED. ÔHEY BOTH GIVE YOU ÊIFFYÄÏÓ WITHOUT YOUR HAVING TO OPEN UP YOUR COMPUTER. ÁS FOR ÍÒ.ÍÉÃË, É AGREE 100% WITH ÄAVE THAT THIS IS THE BEST TIME TO BE PROGRAMMING THE Ã-64/128. ÈIS PROGRAM IS A BIG, MANY-FEATURED UTILITY THAT PROBABLY WOULDN'T HAVE BEEN WRITTE N IF ÍÒ.ÍÏÕÓÅ HADN'T BOWLED ÄAVE OVER. ÏN THE OTHER HAND, MY ÇÅÏÓ ÆÏÎÔ ÓÈÏ× ON THIS ISSUE IS A SIMPLE, ALMOST Ñ&Ä PROGRAM THAT WOULD NOT HAVE BEEN NEARLY AS GOOD WITHOUT ÍÒ. ÍÏÕÓÅ. ÍOUSE SUPPORT HAS TRADITIONALLY BEEN THE MAIN THING THAT SEPARATED US FRO0M THE BIG WHEELS. ÎOW WE HAVE IT. ÌET'S ROLL. THER HAND, MY ÇÅÏÓ ÆÏÎÔ ÓÈÏ× ON THIS ISSUE IS A SIMPLE, ALMOST Ñ&Ä PROGRAM THAT WOULD NOT HAVE BEEN NEARLY AS GOOD WITHOUT ÍÒ. ÍÏÕÓÅ. ÍOUSE SUPPORT HAS TRADITIONALLY BEEN THE MAIN THING THAT SEPARATED US FRO"U ÐÒÉÎÔ ÔÈÉÓ ÓÉÇÎÅÄ ÉÎÔÅÇÅÒ ÔÏ ÕÎÓÉÇÎÅÄ -------------------------- É=É-(É<0)*65536 ÔHIS IS GOOD FOR GETTING A USEABLE VALUE FROM ÆÒÅ(0). ÆOR SOME STRANGE REASON, THE CREATOR OF ÂÁÓÉà 2.0 (A GUY BY THE NAME #OF ÂILL ÇATES, É'M TOLD) DECIDED TO PUNCH THE TWO-BYTE VALUE OF FREE ÂÁÓÉà MEMORY INTO A SIGNED INTEGER VARIABLE. ÉF THE VALUE IS OVER 32787, THE RESULT APPEARS AS A NEGATIVE NUMBER. ÓO USE THE THIS FUNCTION TO FIX IT. ÆÒ = ÆÒÅ(0)-(ÆÒÅ(0)<0)*65536  ÂILL ÇATES, É'M TOLD) DECIDED TO PUNCH THE TWO-BYTE VALUE OF FREE ÂÁÓÉà MEMORY INTO A SIGNED INTEGER VARIABLE. ÉF THE VALUE IS OVER 32787, THE RESULT APPEARS AS A NEGATIVE NUMBER. ÓO USE THE THIS FUNCTION TO FIX IT. ÆÒ = ÆÒÅ(0)-(ÆÒÅ(0)<0)*65536 %U ÐÒÉÎÔ ÔÈÉÓ ÐÁÇÅ ÍÅÍÏÒÙ ÍÁÐ --------------- 0 ÚERO ÐAGE 1-3 ÓYSTEM 4-7 ÓCREEN (DEFAULT) 8-159 ÂÁÓÉà ÍEMORY 16-31 ÆONT ÓHADOW ÂANK 0 152-159 ÆONT ÓHADOW ÂANK 2 160-191 ÂÁÓÉà ÒÏÍ& 192-207 ÏPEN ÍEMORY 208-223 É/Ï/ÃOLOR ÍEMORY 224-255 ËERNAL ÒÏÍ -------------- ÖIDEO ÂANK 0 0 ÚERO ÐAGE/ÓYSTEM/ÓCREEN ! 8 ÂOTTOM OF ÂÁÓÉà ! 16 ! ÆONT ÓHADOW ÂANK 0 ! 24 ! ! 32 ' ! 40 ! 48 ! 56 -------------- ÖIDEO ÂANK 1 64 ! 72 ! 80 ! 88 ! 96  ! 104 ! 112 ! 120 -------------- ÖIDEO ÂANK 2 128 ! 136 ! 144 ! ÆONT ÓHADOW ÂANK 2 ! 152 ! ò˜CHANGING CIRCLEòSIZE AND SHAPEò Ÿui bòwò˜ ¤ò Ÿjkò CTRL 1 ˜THRU 9˜:ò CHANGE SPEEDò —CIRCLE OUTLINE:ò _ò ˜DRAWòDELò ˜ERASEò›bDRAW ON PAPER,òSPACE ˜CHANGE ›_```³ERASE ON PAINTò—CIRCLE INSIDES:òSCREEN:òCLRò ˜CLEARòG ˜GRIDòFò ˜FILL-INñ ˜ñ ˜ò›qò qòò’­ ’›½ ­ ’›½ò ò ò © ò› ’©ò•¬ ’•» © ò’›©ò —CLEAR SCREENò›ANYTHING NOT SAVED ON DISK OR WITHòMEMORIZE COMMAND WILL BE LOSTòY —YESò DO IT ?òN —NOñ ˜ñ ˜òREGULARòMEMORIZEDò—<-nò•bžò’—<-nž ò›©òž©’•bž ò’—<-n•{```ò›© ò’•`{```ò—<-n• ’©ò›  ò’• ’©ò—nnmnmnmnmnò›ònmnmnmnmnmnò —nšmnmnmnmnmnò nmnmnmnmnmnò —RECALL SCREENò˜RECALLS THE SCREEN AS IT WAS WHENòLAST MEMORIZED. WHAT IS ON THE SCREENò NOW WILL BE LOST.òY —YESò DO IT ?òN —NOñ ˜ñ ˜ò ¢ò ¢ò—°ò ®ò›ò’—°ò ®òœ ¢ò› òœ¢’¾ò ¼¢¢¢ò’ ¢ò› ’©ò¢»ò ¬¢¢¢ò—­ò ½ò›©ò—­ò ½ò  ¢ò  ¢ò ’—CLEAR BOXò˜CLEARS EVERYTHING INSIDE BOX. ANYTHINGòINSIDE WILL BE LOST UNLESS MEMORIZEDòFIRST. (THEN COPY MODE CAN BE USED.)òY —YESò DO IT ?òN —NOñ ˜ñ ˜ò ›uiò uiò ukjiòò’—o·p ›ukjiòs ›`k jiò ò’—´1§›`k jiò ukò ’©ò—l¯ºò"›ukò <``kò©ò<``kò —CLEAR RUBBER STAMPò˜TURNS RUBBER STAMP BACK INTO BLANK.òIF THERE IS NO COPY OF IT ON THE SCREEN (OR ON MEMORIZE SCREEN) IT WILL BE LOST.òY —YESò DO IT ?òN —NOñ ˜ñ ˜òž › òž ò   › òòž   ž ò  ž ›  › ò òž  ž  ž ò™ œ ™ Ÿ  Ÿ ò› ’©òž œ ž  ž ò™ œ  Ÿ ò’›©òž œ  ž ò ™ Ÿ ò ž ò ’—EQUALIZE PAPER COLORò˜ALL PAPER COLOR ON THE SCREEN WILLòBE CHANGED TO THE WORKING PAPER COLOR.òANYTHING NOT MEMORIZED WILL BE LOST.òY —YESò DO IT ?òN —NOñ ˜ñ ˜òž › òž › òž   › òòž  › òž  ž ›  › ò òž  ž ›  › ò™ œ ™ Ÿ  Ÿ ò› ’©ò™  ™  Ÿ  Ÿ ò™ œ  Ÿ ò’›©ò™  Ÿ ò ™ Ÿ ò ™ Ÿ ò ’—EQUALIZE PAINT COLORò˜ALL PAINT ON THE SCREEN WILL BEòCHANGED TO THE WORKING PAINT COLOR.òANYTHING NOT MEMORIZED WILL BE LOST.òY —YESò DO IT ?òN —NOñ ˜ñ ˜òž qòqòqqn··mò›ò’qqò´qœqªò› ò’m¯¯nšq–qò› ’©ò šq–qò Ÿqqò›©ò"Ÿqqò —CLEAR CIRCLEò˜CLEARS CIRCLE AND EVERYTHING INSIDE.òANYTHING NOT MEMORIZED WILL BE LOST.òY —YESò DO IT ?òN —NOñ  ˜ò°ò®ò? œ? ?ò ? ?ò—­ò½ò COPY WHAT?ò ˜BEFORE MAKING A COPY, Ÿ*D–OOœDLEž* ˜HAS TOò KNOW WHAT TO COPY!ò—1. USE F5 —BOX MODEò2. PUT BOX AROUND ORIGINALò3. PRESS M —TO MEMORIZEò4. USE F6 —COPY MODE TOòMAKE COPIESòNOW ... PRESS ANY KE Y TO GO ONò °`®ò+ò b bò˜mò ­`½ò˜mòmò—u`iò•+ò—b bò`iuk qò jkò# o·pò WELCOME TO Ÿ*D–OOœDLEž*ò# —´1ªò# l¯ºò oò pò° ®ò{ò^ò­ ½òlòºò RETURNò˜FOR MENUSòSPACE BARò˜FOR SKETCH PADñ›ñ (›ò—BLANKò ˜FILENAME:ò—NAMEò •^›- -ò—TO EXITòROOM FOR  MORE DOODLESñ ˜òŸ*D–OOœDLEž*ò —o ·pò ´ ui ªò•DISK &ò —´ jk ªò›TURN ON DISKò•PRINTò —l ¯ºò›DRIVE AND INSERTò•MODEò›DISKò —u -uiò b..ò. bò b. . .bò DISK COMMANDS:ò ˜ -ò S ˜SAVE DOODLE TO DISKòL ˜LOAD DOODLE FROM DISKòX ˜ERASE ONE DOODLE ON DISKòV ˜VALIDATE WHOLE DISKò—PRINTER COMMAND:ò˜-òP ˜PRINT DOODLEò•ON ò•OFFò˜Ú USE TRACKBALL TO CHOOSE OLDNAMEòÚ USE KEYBOARD TO TYPE NEW NAME, ORòTO CHANGE OLD NAMEò Ú PRESS šRETURN ˜WHEN READYò˜Ú USE TRACKBALL TO CHOOSE NAMEòÚ šCLR ˜KEY BLANKS NAMEò Ú PRESS šRETURN ˜WHEN READYò—SAVE Ÿ*D–OOœDLEž*ò—LOAD Ÿ*D–OOœDLEž*ò—ERASE Ÿ*D–OOœDLEž*ñ •ò•DISK ERRORòPRESS ANY KEYòTO CONTINUEñ ˜ò˜NO *DOODLES*òON THIS DISKò—o·pò´òªò´ ui ªò´ jk ªò´òªòl¯ºò VALIDATE DISKò˜VALIDATE RE-ORGANIZES A DISK. IT CANòSOMETIMES MAKE FREE SPACE ON A FULLòDISK. VALIDATE CAN TAKE OVER TWOò MINUTES TO FINISH.òY —YESò DO IT ?òN —NOñ"˜ò•© ò© ò’›ANYTHING NOTò• STOP ò’›SAVED ON DISKò• DOODLE ò’›WILL BE LOSTò• ’©ò  ’©ò Y —YESò STOP?ò•N —NOò*D–OOœDLEž* ˜HAS BUILT-IN SAFETYòFOR MANY ERASING COMMANDSòSAFETYòCTRL 9 ˜TURN SAFETY ONòIS •ONòCTRL 0 ˜TURN SAFETY OFFò—&-ò RETURNò˜FOR SKETCH PADòSHIFT RETURN ˜FOR MORE INFOò—SKETCHòF1òLINESòF3ò BOXESò F5ò CIRCLESò F7ò COLORò F2ò ZOOMò F4ò COPYò F6òSTAMPòF8òLETTERòC1òDISK & PRINTòC2SCREE »»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»f ÔOOLÂOXÓTASH .ÆÔÓ ÆONTÔOOLÓTASH .ÓÔÓ ÓUPERÔOOLÓTASH ÎEXT INPUT THE FILENAME AND CONFIRM. ÓEE BELOW IN ÐUT/ÇET ÉMAGE ABOUT SAVING .ÓÔÓ FILES. [ÑÕÉËÓÁÖÅ] ÏNCE A .ÔÂÓ OR .ÆÔÓ FILE IS SAVED, THE FILENAME IS EMBEDDED IN THE DATA. ÑUIKÓAVE SAVES THE .ÔÂÓ FILE TO THE SAME FILENAME WITH AUTO- REPLACE. Æ8 WILL DO A ÑUIKÓAVE IN ONE KEYSTROKE. [ÐÕÔ/ÇÅÔ ÉÍÁÇÅ] ÍÒ.ÍÉÃË HAS FOUR BUFFERS TO HOLD .ÔÂÓ IMAGES, WHICH CAN BE SAVED TOGETHER AS AN .ÓÔÓ FILE. ÉF THE IMAGE HAS NO NAME, ÐUT WILL ASK YOU FOR ONE. ÔHE IMAGE NAMES ARE LISTED ON THE ÂUFFER ÍENU -- MAKING SWAPPING BETWEEN IMAGES EXTREMELY EASY. ×HEN YOU SAVE THE .ÓÔÓ BUFFER, YOU ARE ASKED WHICH IMAGES TO SAVE. ÔHE FILE WILL CONTAIN IMAGES DOWN TO THE ONE YOU CHOOSE. ÏNLY THE IMAGES SAVED WILL LOAD. ÆOR INSTANCE, IF YOU SAVED IMAGES 1 AND 2, YOU CAN LATER LOAD THEM ON TOP OF 1, 2, 3, AND 4, REPLACING ONLY THE FIRST TWO IMAGES. ÔHIS WAY, YOU CAN EASILY SHUFFLE AROUND BETWEEN IMAGES. [ÐÕÔ/ÇÅÔ ÆÏÎÔ ÂÕÆÆÅÒ] ÈAVE YOU EVER WISHED YOU COULD COPY PORTIONS OF A GREAT FONT TO ANOTHER FONT FILE? ÍÒ.ÍÉÃË ALLOWS YOU TO ÐUT 32 CHARACTERS IN ONE FONT DISPLAY ROW INTO A BUFFER, THEN ÇET THE BUFFER INTO ANY 32 CHARACTER ROW. ×HEN YOU CHOOSE ÐUT ÆONT ÂUFFER, THE ÆONT ×INDOW APPEARS, WITH THE BOX CURSOR AT THE BEGINNING OF A ROW. ÕSE THE ÕP/ÄOWN CURSOR KEY TO CHOOSE THE ROW TO ÐUT IN THE BUFFER. ÐRESS ÒÅÔÕÒÎ TO SELECT. ÓHIFT-ÒÅÔÕÒÎ EXITS. ÇET ÆONT ÂUFFER WORKS THE SAME WAY. ÕP/ÄOWN CURSOR AND ÒÅÔÕÒÎ TO CHOOSE THE ROW TO WHICH THE BUFFER WILL BE COPIED. É HAVE INCLUDED A DIALOG WINDOW JUST TO BE SAFE. [ÐÒÉÎÔ ÓÃÒÅÅÎ] ÔHANKS TO ÂOB ÍARKLAND, ÍÒ.ÍÉÃË CAN PRODUCE A NEAT HARD COPY OF YOUR IMAGES. ÔHE PRINT MODULE USES THE ÕNIVERSAL ÐRINTER ÄRIVER ÃODE FILE (FROM ÌÓ #154) WHICH YOU CAN EDIT TO WORK WITH YOUR PARTICULAR PRINTER. [ÅØÉÔ ÍÒ.ÍÉÃË] ÔHIS IS THE ONLY PROPER WAY TO GET OUT OF ÍÒ.ÍÉÃË. [ÅÄÉÔ ÍÅÎÕ] [ÀÀÀÀÀÀÀÀÀ] [ÕNDO] ÒETURNS YOU TO THE POINT OF THE LAST Æ1, Æ3, Æ5, OR ÓHIFT-ÒÅÔÕÒÎ KEY PRESS (OR ASSOCIATED ÃONTROL ÍENU SELECTION. [ÂÏØ] ÔHE REST OF THE FUNCTIONS IN THE ÅDIT ÍENU WILL NOT WORK UNTIL YOU HAVE PUT A ÂOX ON THE SCREEN. (ÔHIS IS INDICATED BY A DOT BEFORE THE MENU ITEMS). ÃHOOSE ÂOX, THEN PLACE THE SQUARE POINTER AT THE LOCATION OF THE UPPER LEFT CORNER OF THE AREA YOU WANT TO BOX, AND CLICK. ÔHE FOUR CORNERS "COME APART" AND YOU CAN MARK ANY AREA OF THE SCREEN. ÃLICK AGAIN, AND YOU RETURN TO THE ÅDIT ÍENU. ÃOPY, ÃUT, AND THE THREE ÆILL FUNCTIONS ARE NOW ENABLED. ÃOPY PUTS THE SCREEN AND COLOR WITHIN THE BOX INTO THE COPY BUFFER. ÃUT COPIES, THEN FILLS THE BOX AREA WITH SPACES. Ò-ÃUT COPIES, THEN FILLS THE BOX AREA WITH SCREEN CODE 160. ÃOLOR ÆILL PAINTS THE BOX AREA WITH THE CURRENT PAINT COLOR. ÂE SURE TO SELECT THE COLOR FIRST. ÔEXT ÆILL FILLS THE BOX AREA WITH THE CURRENT CHARACTER IN THE CURRENT PAINT COLOR. ÂE SURE TO SELECT CHARACTER AND COLOR FIRST. ÔEXT ÔILE FILLS THE BOX AREA BY ALTERNATING THE CURRENT CHARACTER WITH THE NEXT SCREEN CODE. ÁGAIN, CHOOSE !CHARACTER AND COLOR FIRST. ÐASTE -- ÁFTER YOU HAVE COPIED THE BOX AREA, YOU CAN PASTE THE BUFFER ANYWHERE ON THE SCREEN. ÓIMPLY MOVE THE BOX AND CLICK. ÎO PART OF THE BOX CAN LEAVE THE SCREEN. [ÙÏÕÒ ÉÍÁÇÉÎÁÔÉÏÎ] ÂESIDES "FANCYSCREEN.FTS", É "HAVE INCLUDED "FANCYSCREEN.TBS", A MULTI- COLOR VERSION TO BE LOADED AFTER THE .ÆÔÓ FILE. ÁLSO, ÍÒ.ÍÉÃË BOOTS UP WITH FOUR IMAGES IN THE .ÓÔÓ BUFFER TO GIVE AN IDEA HOW VERSATILE ÍÒ.ÍÉÃË IS. ÉN A MATTER OF MINUTES, THE SCREEN IS BLOCKED OUT AND SHAPED TO# PROVIDE THE BEST INTERFACE OR GAME SPACE. [ÔÅÃÈÎÏ-ËÕÄÏÓ] É HAVE USED ÉÍÁÇÅ ÍÁËÅÒ FOR YEARS (ÌÓ #106, BY Ã.Å. "ÓPOCK" ÐRINCE). ÂUT USING ÉÍ SCREENS MEANS EITHER INCLUDING ÉMAGE ×RITER IN MY PROGRAMS, OR CONVERTING THE RESULTS TO ÔOOLÂOXÓTASH FORM$AT. É HAPPEN TO LIKE ÔOOLÂOXÓTASH. ÔHIS IS REALLY JUST A FUNCTION FOUND ON NEARLY EVERY TOOLBOX MODULE -- THE ABILITY TO STASH SCREEN/COLOR INFO IN SOME SAFE MEMORY LOCATION, AND RESTORE IT AT WILL. Á .ÔÂÓ FILE BLOADS TO MEMORY, THEN CAN BE CALLED WITH THE RESTORE COMMAND. ÊEFF ÊONES HAS INCLUDED CURSOR LOCATION AND BORDER/BACKGROUND COLOR INFORMATION IN HIS MORE ADVANCED TOOL BOXES. É HAVE MAINTAINED COMPATIBILITY WITH HIS FORMAT -- AND ADDED TO IT. ÁLL IMAGES CREATED WITH ÍÒ.ÍÉÃË HAVE BORDER&PYRIGHT 1983 BY MARK R. 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ÔHE ÂÁÃË ÁÒÒÏ× CYCLES YOU THROUGH FONTS: ÃUSTOM TO ÄEFAULT ÕPPER ÃASE TO ÄEFAULT ÌOWER ÃASE. [ÔÅØÔ ÍÏÄÅ] [ÀÀÀÀÀÀÀÀÀ] ÐOINT AND CLICK ARE NICE -- BUT THE KEYBOARD IS BETTER FOR STRA$IGHT TYPING. ÕSE THE ÃONTROL ÍENU <ÓHIFT- ÒÅÔ: ÔO ÔEXT ÍODE>, OR PRESS ÓHIFT- ÒÅÔÕÒÎ. ÔHE MENUS ARE NOT AVAILABLE IN ÔEXT ÍODE, AND THE ONLY ÆUNCTION KEY FUNCTIONING IS Æ1. ÔO EXIT ÔEXT ÍODE, PRESS ÓHIFT-ÒÅÔÕÒÎ OR Æ1. [ÃLUE:] ÒEMEMBER Æ1! ÉN A STROKE O$R TWO, Æ1 WILL GET THE ÍENU ÂAR BACK ON THE SCREEN. ÉN ÔEXT ÍODE, THE KEYBOARD WORKS ALMOST EXACTLY LIKE THE NATIVE Ã-64 SCREEN EDITOR. É HAVE EXCLUDED THE IRRITATING LINE LINKS AND BOTTOM SCROLLING. ÉNSERT AND ÄELETE ONLY AFFECT THE CURSOR ROW. ÓET COLORS AND ÒEVERSE ÏN/ÏFF IN THE NORMAL WAY. ÃÌÒ CLEARS THE SCREEN. ÈOWEVER, IF YOU PRESS ÃÌÒ AGAIN, THE SCREEN WILL BE RESTORED TO THE POINT WHERE YOU ENTERED ÔEXT ÍODE. Æ1 OR ÓHIFT-ÒÅÔÕÒÎ RETURNS YOU TO ÍOUSE ÍODE. [ÔÈÅ ÍÅÎÕÓ] [ÀÀÀÀÀÀÀÀÀ] $(                                                bc´ æjge   e   eihç bc´              ½¼¾adô e¬f jgµ ´ih jke ³lm¾½¼          µ ¯¦° ¹ ¹ ¹ ¹ ¯¦° ò         õ ô          »­ ¤º         ¶¸¹ $ W    ¹·¶      µª ÌÍ ÌÍ ª´     ³±² ÎÏ.ÎÏ  ! ©¨«   ®¯¦° W      §¦¥ç ¡¬­       ¤¢¡ Ê£  T  £Ë Çá F   $ áÈ àè D  SCREENS! Æéà æêìë pÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜn êìëç   óíÅ ]I'  C  64Û  Äîò     õñ ] A G COMPUTER! 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ÎOW ON WITH THE WORK. ÃHOOSE [2. ÇET ÓÈÐ] Á SCROLLING MENU OF *.ÓÈÐ FILES IS OFFERED. ÔHE ONE YOU CHOOSE IS DISPLAYED UNTIL YOU CLICK THE MOUSE OR PRESS <ÂÁÃË ÁÒÒÏ×>. [3. ÍAKE ÆÔÓ] ÙOU [MUST] CHOOSE A %ÓÈÐ FILE BEFORE THIS ACTION CAN HAPPEN. ÁN ÆÔÓ FILE CONTAINS THE FONT (BEGINING AT +0 ÐAGE), THE SCREEN (AT +8 ÐAGE), AND COLOR (AT +12 ÐAGE). ×HEN YOU SELECT THIS ACTION, YOU ARE ASKED IF YOU WANT TO USE 256, 192, 128, OR 64 FONT CHARACTERS -- OR Î%OT DO IT AT ALL. ÔHE PROGRAM LOOKS AT EACH 8-BYTE CELL OF THE BITMAP SCREEN AND COMPARES IT TO THE CELLS ALREADY RECORDED IN THE FONT. ÉF A MATCH OCCURS, THAT FONT CHARACTER IS USED TO REPLICATE THE BITMAP ON THE TEXT SCREEN. ÉF NO MATCHING CHARACTE%R IS FOUND, A NEW CHARACTER IS CREATED, COPYING THE 8-BYTE CELL FROM THE BITMAP. ÉF YOU HAVE ENOUGH CHARACTERS TO REPLICATE EACH 8-BYTE BITMAP CELL, YOU GET A TEXT SCREEN RENDITION OF THE BITMAP. ÉF YOU RUN OUT OF CHARACTERS IN THE FONT, THE PROCESS% JUST STOPS. ÅITHER WAY, YOU CAN SAVE THE RESULT AS AN ÆÔÓ FILE (WITH [5. ÓAVE ÆILE]). ÒEMEMBER, CELLS THAT ARE IDENTICAL USE THE SAME FONT CHARACTER. ÓO IF YOU HAVE LARGE PATCHES OF CLEAR OR SOLID CELLS, THE BITMAP MAY WELL FIT IN 192 CHARACTERS --% LEAVING YOU WITH THE BASIC ALPHANUMERIC CHARACTERS. [5. ÍAKE ÂLOCK] ÔHE ALTERNATIVE TO REPLICATING THE WHOLE BITMAP IS TO MAKE A BLOCK THAT USES 128 OR 196 CHARACTERS. ÁGAIN, A ÓÈÐ FILE MUST BE CHOSEN WITH [1.] BEFORE THIS ACTION WILL% WORK. ×HEN THE BITMAP IS DISPLAYED, A SINGLE SQUARE WILL FOLLOW THE MOUSE ARROW AROUND. ÃLICK TO PLACE THIS SQUARE IN THE UPPER LEFT CORNER OF THE AREA YOU WANT TO CAPTURE. ÏNCE YOU HAVE CLICKED, THREE OTHER SQUARES MOVE IN CONCERT WITH THE MOUSE A%RROW TO DESIGNATE THE OTHER CORNERS OF THE BLOCK. ×HEN YOU HAVE THE BLOCK DEFINED, CLICK AGAIN. ÉF YOU GOOF UP -- ESPECIALLY WHEN YOU DISCOVER THAT THE UPPER-LEFT SQUARE IS NOT QUITE WHERE YOU WANT IT, PRESS <ÂÁÃË ÁÒÒÏ×> TO RETURN TO THE FIRST PHASE% . ÄURING THE FIRST PHASE, <ÂÁÃË ÁÒÒÏ×> WILL RETURN YOU TO THE MAIN MENU. ÄURING THE FIRST PHASE, A ÒIGHT ÃLICK WILL CHANGE THE COLOR OF THE BLOCKS. Á ÒIGHT ÃLICK DURING THE SECOND PHASE TOGGLES BETWEEN 192 AND 128 FONT CHARACTERS AVAILABLE FOR THE B% LOCK. ÔHE SQUARES WILL NOT MOVE OUTSIDE THE GIVEN AVAILABLE SPACE. ÈOWEVER, WHEN YOU TOGGLE TO 128 CHARACTERS, YOU WILL WANT TO MOVE THE SQUARES CLOSER TOGETHER THEN OUT AGAIN TO MARK THE CORRECT AMOUNT OF AREA. [5. ÓAVE] ÔHIS ACTIO% N WILL NOT WORK UNLESS YOU HAVE MADE AN ÆÔÓ OR A ÂLOCK. ÔHEN, IT WILL AUTOMATICALLY SAVE THE APPROPRIATE FILE FORMAT. ÊUST TYPE IN THE NAME. ÉF THE FILE NAME EXISTS ON THE DISK, A WARNING WILL APPEAR. [6. ÅXIT] ÒETURNS YOU TO ÌÏÁÄÓÔ% ÁÒ OR ÂÁÓÉÃ. ÔHE ÂÌÏÃË ÆILE -------------- ÐUTTING THE ÂLOCK ON THE SCREEN IS FAIRLY EASY -- EVEN IN ÂÁÓÉÃ. É RESERVED THE LAST THREE BYTES OF THE FONT (CHARACTER SCREEN CODE 255) TO RECORD THE STARTING CHARACTER, THE WIDTH, AND THE HEIGHT OF THE % BLOCK. ÉF YOU ARE USING ÄOTÂÁÓÉÃ, THE CUSTOM FONT IS AT 2048. ÂLOAD THE FONT WITH THE ÂLOCK WITH: .BL,"F.BLOCK",DV,2048 ÔHEN GET THE BEGINNING SCREEN CODE: BC=PEEK(4093):REM FONT+2045 ÓET THE UPPER LEFT CORNER OF THE BLOCK WITH: BK=1024+B%Y*40+BX (WHERE BX AND BY IS THE CELL COORDINATE OF THE BLOCK ON THE SCREEN.) ÎOW YOU CAN USE ÆÏÒ-ÎÅØÔ LOOPS TO PUT THE BLOCK ON THE SCREEN. FOR Y = 0 TO PEEK(4095):REM FONT+2047 FOR X = 0 TO PEEK(4094):REM +2046 POKE BK+Y*40+X,BC:BC=BC+1 Ÿ NEXT NEXT ÏBVIOUSLY, AN ÍÌ ROUTINE WOULD BE QUICKER, AND IF YOU WANT TO WRITE ONE, YOU NOW KNOW WHERE TO LOOK FOR THE NECESSARY INFORMATION. ÄÍÍ TO PEEK(4095):REM FONT+2047 FOR X = 0 TO PEEK(4094):REM +2046 POKE BK+Y*40+X,BC:BC=BC+1 %U Ä Ï Ï Ä Ì Å ! ÈERE IS THE CLASSIC ÈIGH-ÒES GRAPHICS PROGRAM. ÅÖÅÒÙÔÈÉÎÇ IS DOCUMENTED IN THE PROGRAM. ÐRESS <ÒÅÔÕÒÎ> TO SEE WHAT CAN BE DONE WITH ANY MODE. ÐRESS <ÓHIFT-ÒÅÔÕÒÎ> TO SEE HOW TO GET TO THE DIFFERENT MODES. ÔHE REST IS PRACTICE. ÄÍÍ Ä Ì Å ! ÈERE IS THE CLASSIC ÈIGH-ÒES GRAPHICS PROGRAM. ÅÖÅÒÙÔÈÉÎÇ IS DOCUMENTED IN THE PROGRAM. ÐRESS <ÒÅÔÕÒÎ> TO SEE WHAT CAN BE DONE WITH ANY MODE. ÐRESS <ÓHIFT-ÒÅÔÕÒÎ> TO SEE HOW TO GET TO THE DIFFERENT MODES. ÔHE REST %U Í Ò. Í É Ã Ë ÍR. ÍOUSE ÉMAGE ÃONSTRUCTION ËIT ÐROGRAM AND ÔEXT BY ÄAVE ÍOORMAN ×ITH COMMENTS BY ÆENDER ÔUCKER AND ÊEFF ÊONES ÉÍÐÏÒÔÁÎÔ ÎÏÔÅ FOR THE ÑUIKÍENU ÄISK: ÍR.ÍÉÃË'S FILE REQUESTOR IS TOO SMALL TO LOAD ÑU%ICKÍENU'S LARGE DIRECTORY. ÙOU CAN CLICK ÆILE>ÄISK/ÄIR TO CHANGE DEVICES TO ACCESS A SMALLER DISK DIRECTORY. ÏR, YOU CAN USE YOUR OWN COPY PROGRAM TO MOVE ALL FILES FROM "B.ÍR.ÍÉÃË" TO "T.ÍR.ÍÉÃË" TO YOUR OWN WORK DISK. ÉF YOU EXIT ÍR.ÍÉÃË WITHOUT HAVIN%G DONE A ÓÁÖÅ, ÑUIKÍENU WILL HANG. ÍR.ÍÉÃË IS OLD (1997!), AND THERE MUST BE SOME STRANGE INCOMPATIBILITY BETWEEN IT AND THE NEWER ÍÏÕÓÅ DRIVE. ÇO FIGURE! ÍÒ.ÍÉÃË IS A TEXT SCREEN DESIGNER, SIMILAR TO ÓCREEN ÄAZZLER BY ÂRIAN ÅDDY, PUBLISHED ON ÌÏÁÄ%ÓÔÁÒ #90. ÔHE DIFFERENCE HERE IS THAT ÍÒ.ÍÉÃË IS MOUSE-DRIVEN, INCLUDES A FONT EDITOR, AND THE ABILITY TO SAVE AND LOAD SCREENS IN A FORMAT WHICH INCLUDES THE FONT. ÔEXT SCREENS ARE NOT LIKE ÄÏÏÄÌÅ OR ËÏÁÌÁ SCREENS. ÔEXT SCREENS ARE MADE USING ÃOMMO%DORE GRAPHICS, MORE APPROPRIATELY CALLED "FONT GRAPHICS," PIECED TOGETHER WITH FONT CHARACTERS. ÆOR INSTANCE, THE ÌÏÁÄÓÔÁÒ AT THE TOP OF OUR MAIN MENU IS NOT A ÄÏÏÄÌÅ, BUT A FONT GRAPHIC THAT'S BEEN TYPED OR PRINTED TO THE REGULAR TEXT SCREEN. ÈOW ARTIST%IC CAN A GRAPHIC SCREEN BE WITH ONLY TEXT? ×ELL, CHECK OUT ANY OF ÐHIL ÓAMPSON'S "ÂLACK ËNIGHT" PICTURES AND YOU'LL SEE WHAT CAN BE DONE WITH ONLY THE GRAPHICS CHARACTERS SUPPLIED BY THE Ã-64 DEFAULT CHARACTER SET. ×ITH A CUSTOM SET (WHICH ÌÏÁÄÓÔÁÒ PRACT%ICALLY REQUIRES) YOU CAN REALLY GET FANCY. ÉT'S EASY TO MAKE TEXT SCREENS, EVEN ARTSY ONES, BUT YOU'RE LIMITED BY THE FONT, WHICH ONLY HAS 256 UNIQUE CHARACTERS. ÉF YOU WANT TO TYPE TEXT ON THE SCREEN, YOU'LL HAVE TO ALTER CHARACTERS OTHER THAN TEXT% CHARACTERS IN THE FONT. ÔHE TRADE IS USUALLY THE Ã= KEY CHARACTERS, MOST OF WHICH ARE RARELY USED. ÏF COURSE IF YOU HAVE AN EYE LIKE ÐHIL ÓAMPSON, YOU DON'T NEED NO STINKING FONT. ÍÒ.ÍÉÃË HAS MULTIPLE FILE FORMATS, TWO BASED ON THE .ÔÂÓ FORMAT. [%ÎOTE FROM ÊEFF:] ÔÂÓ STANDS FOR ÔOOLBOX ÓTASH ÆORMAT. É DIDN'T KNOW WHEN É DESIGNED MY SCREEN STASH SUBROUTINE THAT É WAS DESIGNING AN OFFICIAL, USABLE FILE "FORMAT," WORTHY OF A FILE EXTENSION. ÁLL É CAN SAY IS THAT TODAY É CONSIDER MYSELF THE LUCKIEST %MAN ON THE FACE OF THE EARTH. ÔHIS SCREEN EDITOR SPORTS A BUILT-IN FONT TOOL THAT DOES NEARLY EVERYTHING A FONT EDITOR DOES -- BUT ALL RIGHT ON THE SCREEN WHERE YOU CAN SEE THE INTERACTION OF CUSTOM CHARACTERS. ÉN SHORT, ÍR.ÍÉÃË HAS EVERYTHING YOU N%EED FOR DRAMATIC TEXT SCREEN DESIGN. ÙOU WILL NEED AN INTELLIGENT MOUSE IN PORT 1, OR A JOYSTICK IN PORT 2. ÏN BOOT-UP, YOU WILL SEE A ÍENU ÂAR AND POINTER ON A BLACK SCREEN. ÔHIS IS [ÍÏÕÓÅ ÍÏÄÅ] -- AND EVERY FUNCTION IS AVAILABLE ON THE THREE PULL-%DOWN MENUS. ÙOU CAN CALL THE MENUS WITH A POINT AND CLICK, OR PRESS: ÃÏÎÔÒÏÌ-Æ FOR ÆILE ÃÏÎÔÒÏÌ-Å FOR ÅDIT ÃÏÎÔÒÏÌ-à FOR ÃONTROL. ÎOTE THAT THE FUNCTIONS ON THE ÃONTROL ÍENU HAVE HOT KEYS LISTED. ÔHE Æ-KEYS ARE EASIER THAN SLOGGING THROUGH THE M%ENU: Æ1 - ÔOGGLE ÍENU ÂAR ÏN/ÏFF Æ3 - ÔOGGLE ×INDOW ÏN/ÏFF Æ5 - ÓWITCH ÆONT/ÃOLOR ×INDOWS ÕÐ ÁÒÒÏ× - ×INDOW TO ÔOP/ÂOTTOM ÔHE ÍENU ÂAR AND ×INDOW ARE NON- DESTRUCTIVE, GIVING YOU ACCESS TO THE WHOLE SCREEN. ÐRESS Æ3 AND Æ5 UNTIL YOU HAVE THE ÆO%NT ×INDOW VISIBLE ON THE SCREEN. ÉN ÆONTÍOUSE ÍODE, YOU CAN PICK UP ANY VISIBLE CHARACTER WITH A POINT AND CLICK, THEN MOVE IT TO ANY PLACE ON THE SCREEN AND PLACE IT WITH ANOTHER CLICK. ÙOU CAN ONLY PICK UP CHARACTERS FROM THE ÆONT DISPLAY. ÐRESS T% HE RIGHT MOUSE BUTTON OR Æ7 TO DROP A CHARACTER WITHOUT PLACING IT ON THE SCREEN. ÁT THE RIGHT OF THE ÆONT DISPLAY IS THE CHARACTER EDITOR. ÐOINT AND CLICK A CELL TO TOGGLE THE PIXEL. ÔHE CURSOR KEYS MOVE THE BOX CURSOR ON THE DISPLAY TO SELECT THE %!CURRENT CHARACTER. ×HILE THE FONT IS VISIBLE, PRESSING Æ6 (OR ÆONT ÅDIT ÃONTROL FROM THE ÃONTROL ÍENU) WILL DISPLAY A MENU OF TEN USEFUL CHARACTER MANIPULATORS. ÔHE POINTER IS TRAPPED IN THE ÆONT ÃONTROL ÍENU UNTIL YOU PRESS THE RIGHT MOUSE BUTTON O%"R Æ7. ÔHE FIRST NINE CONTROLS ARE OBVIOUS AND IMMEDIATE. ÔO ÃOPY ONE CHARACTER TO ANOTHER, FIRST CHOOSE THE CHARACTER TO BE COPIED USING THE CURSOR KEYS. ÔHEN CLICK ON [ÃOPY]. ÔHE POINTER WILL JUMP TO THE ÆONT DISPLAY (AND IS TRAPPED THERE). ÐOINT TO THE%# CHARACTER TO RECEIVE THE COPY AND CLICK. (ÔO CANCEL, POINT AT THE CHARACTER IN THE BOX CURSOR.) [ÃÏÌÏÒÍÏÕÓÅ ÍÏÄÅ] [ÀÀÀÀÀÀÀÀÀÀÀÀÀÀÀ] ÐRESS Æ5 TO SWITCH TO THE ÃOLOR ×INDOW. ÔHE POINTER BECOMES A "ÐAINT ÂUCKET." ÐOINT AND CLICK ONE FOR THE COLORS%$ ON THE PALETTE TO SET THE CURRENT COLOR. ÔHEN SIMPLY HOLD DOWN THE LEFT MOUSE BUTTON (OR FIRE) AND MOVE AROUND TO POINT THE CHARACTERS ON THE SCREEN. ÔO THE LEFT OF THE PALETTE IS THE BORDER/BACKGROUND BOX. ÍOVE THE "ÂUCKET" TO THE FAR LEFT EDGE OF%% THE ÃOLOR ×INDOW AND CLICK TO PAINT THE BORDER. ÐOINT TO THE CENTER OF THE BOX AND CLICK TO PAINT THE BACKGROUND. ÉF THE BACKGROUND AND ÍENU ÂAR ARE THE SAME COLOR, PRESS Æ4 TO CYCLE THROUGH MENU COLORS. ÁLL MENUS AND DIALOG BOXES WILL BE IN THE ÍENU ÂA%&R COLOR. ÍÒ.ÍÉÃË LETS YOU WORK IN ANY Ã-64 COLOR MODE. ×ITH THE ÃOLOR ×INDOW VISIBLE, PRESS Æ2 (OR USE THE ÃONTROL ÍENU <Æ2 ÔO .... ÍODE>). ÙOU WILL CYCLE THROUGH EACH COLOR MODE. ÉN ÅXTENDED ÂACKGROUND, THE BACKGROUND COLORS ARE DISPLAYED IN FOUR Q%'UADRANTS. ÉN ÍULTI-ÃOLOR, THE THREE BACKGROUND COLORS ARE DISPLAYED IN THREE ROWS. [ÎOTE:] ÉF THE BORDER COLOR IS 0-7, YOU WILL NOT SEE THE EXTRA MULTI- COLORS. ÃHOOSE COLORS 8 - 15 AND CLICK THE BORDER RIM OF THE COLOR BOX TO SEE THE TWO OTHER BACKGRO$UND COLORS IN THE CENTER OF THE BOX. ÔHE THREE ROWS ×ÉÌÌ RESPOND CORRECTLY TO PAINTING EVEN IF THEY DO NOT DISPLAY THE COLORS. ÊUST CHALK IT UP TO THE NATURE OF OUR FAVORITE BEAST! ×E HAVE JUST THREE OTHER ÃONTROL ÍENU FUNCTIONS LEFT. Æ8 IS A ÑUIKÓA&SEEMED REASONABLE, BUT THIS ADDED AN INDENT TO THE NEXT LINE. ÁLMOST BY ACCIDENT, É FIGURED IT OUT. É PUT THE SPACE WHERE THE ÃÈÒ$(13) WAS, AND THE ÅND OF ÌINE MARKER ON THE ÃÈÒ$(10). ÔHIS WAY, THE EXTRA SPACE WAS ABSORBED AT THE END OF THE LINE -- &SOON TO DISAPPEAR AL- TOGETHER WHEN THE LINE WENT THROUGH THE ÂUFFER. ÆOR GOING FROM ÓCREEN ÃODE TO ÔØÔ FORMAT, É MOVE EACH LINE THROUGH THE ÂUFFER AND ADD ÃÈÒ$(13)ÃÈÒ$(10) AS NEEDED (BY THE RULES OF ÅDSTAR ÐROTOCOL). 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ÈOW OFTEN ARE YOU GOING TO BE SAVING ÔØÔ FILES FROM ÍR. ÅDSTAR? ÄURING BETA TESTING, É HAVE FOUND AN OCCASIONAL GLITCH THAT MUCKS UP THE CHARACTERS ON THE SCREEN. ÓHOULD THIS HAPPEN, PRESS <ÃÔÒÌ-Á> AND SAVE YOUR WORK TO A SAFE FILENAME. ÒES¹ET YOUR COMPUTER, REBOOT, RELOAD -- AND ALL SHOULD BE WELL. ÁS ALWAYS, É AM HAPPY TO HEAR YOUR COMMENTS. ÁNY RECALCITRANT BUGS WILL BE FIXED AS WE GO TO FURTHER VERSIONS. ÄÍÍ THIS HAPPEN, PRESS <ÃÔÒÌ-Á> AND SAVE YOUR WORK TO A SAFE FILENAME. ÒES&U Ó Ô Â Ð Ò É Î Ô BY ÄAVE ÍOORMAN ÓÔ STANDS FOR "ÓHAPE ÔHAT ÂABY," A GRAPHICS FILE COMPRESSION SCHEME CREATED BY ÓCOTT ÒESH BACK IN THE HALCYON DAYS OF ÌÏÁÄÓÔÁÒ. "ÓHAPE ÔHAT ÂABY" WAS A ÇÅÏÓ PROGRAM, WHICH WAS FINE FOR ÇÅÏÓI&TES, BUT CLUMBSY FOR THE REST OF US. ÓO LATER GENIUSES MADE THE ÓÔ SERIES OF CONVERSION UTILITIES. ÅVERYTHING IS WELL MENUED. ÓÔ ÐÒÉÎÔ CONVERTS FILES TO AND FROM THE ÓÈÐ FORMAT WITH EASE. ÕSERS OF REAL Ã-64S AND PRINTERS CAN PRINT OUT THE GRAPHICSâ AS WELL. ÎÏÔÅ: ÄON'T FORGET TO SET YOUR ÔARGET DRIVE. É HAVE ÓÈÐ FILES LAYING AROUND IN MY ÕTILITIES DISK IMAGE, WHICH IS ALWAYS ON DRIVE 9 BECAUSE É FORGOT TO PRESS <Ô> AND CHOOSE DRIVE 8 BEFORE DOING CONVERSIONS. ÄÍÍ RS CAN PRINT OUT THE GRAPHICS&!U Ó È Ð 2 Æ Ï Î Ô BY ÄAVE ÍOORMAN ÅVERY TIME É GET INVOLVED IN SOME PROJECT, THE FIRST THING É SEEM TO NEED IS A TOOL TO MASSAGE DATA OR GRAPHICS INTO THE FORM É NEED. ÒIGHT NOW, É AM WORKING ON A COMPLETELY NEW ÐRESENTER Í&"ENU PROGRAM FOR ÌÏÁÄÓÔÁÒ, AND É NEEDED A WAY TO GET FANCY- SCHMANCY ×INDOWS DISPLAY FONT TEXT TO OUR MODEST TEXT SCREEN. ÔHE FIRST STEP ISN'T ALL THAT HARD. É USE ÐHOTO ÄELUX TO TYPE THE TEXT IN THE TYPEFACE É WANT. ÔHIS IS SAVED AS A 320X200 PIXEL &&ÇÉÆ. ÔHEN É MOVE THE ÇÉÆ TO A Ä64 DISK IMAGE, AND FIRE UP ÇOÄOT TO TURN IT INTO A HI-RES ÓÈÐ (ÌÏÁÄÓÔÁÒ'S FAVORITE GRAPHICS FORMAT) -- OR A ÄOODLE (THEN USE ÓÔÂÐÒÉÎÔ TO CONVERT THE EDITED ÄOODLE TO ÓÈÐ). ÂUT THEN WHAT? ÈOW DO É GET THE BITMAP TO FONT&$@ €'2„…††‡€Úxì¶ c÷ƒ¤dê§ä§†®LH²1êfþGþJó‘òòPò3óWñÊñíö>ñ/ófþ¥ôíõÿðÿð 0 0 0 0 0 0 0 0 0 0 0 0ÿðÿðŒ Œ€À£À[ÿæ{­ ?Ç8é08éÐ`€OÇRXÿUo0 Ø‚:* U@* *@I B" B B %  10   * * B B" B J"@K    1  3 Nt  5 N Lo    7 N   2 N    4 M   6 M   8 M Ow  1 @I Mt   &   rD²Â(186):‹D³8§D A$²"MRED.PKD":B$²"LÏA$,D"ªÇ(13)ª"RÕ"ªÇ(13)nX²1¤10:—630ªX,Æ(Ê(B$,X)):‚:—198,10:€&' CHARACTERS? ÊOHNNY ÈARRIS PUBLISHED A GOOD ÄÏÏÄÌÅ ÔÏ ÆÏÎÔ UTILITY ON 116. ÈOWEVER, THE PROGRAM DOES A WHOLE SCREEN (OR AS MUCH AS CAN BE SQUEEZED INTO 256 CHARACTERS). É WANTED MORE CONTROL OVER THE PROCESS. ÓO HERE IS ÓÃÒÎ2ÆÏÎÔ. ÕÓÉÎÇ ÔÈÅ ÕÔÉÌÉÔÙ ---%-------------- ÓÃÒÎ2ÆÏÎÔ IS A STEP-BY-STEP UTILITY. ÆIRST, YOU MUST HAVE YOUR BITMAP GRAPHIC IN THE ÓÈÐ FORMAT, WHICH IS EASY TO DO WITH ÓÔÂÐÒÉÎÔ. ÔHEN YOU CAN CHOOSE THE DISK DRIVE THE ÓÈÐ FILE IS ON BY CLICKING ON [1. ÄISK ÄRIVE] (O'J© ÿ©¦º  ºÿ©¢5  ½ÿ¢ÿ ÿ© Õÿ†-„.©…z©…{ `¦L®§STAR '!—53281,0:—53280,0:—53265,11/—32767,13]—56578,Â(56578)°3:—56576,(Â(56576)¯252)°3“ —53272,21:—648,4:—55,0:—56,160:—51,0:—52,160:400¡—53265,27Й"LOAD"Ç(34)"QUIKMENU.PKD"Ç(34)","DVá ™"RUN"þ$—631,13:—632,13:—198,2:€' DV²Â(186):‹DV³8§DV²87 ‘N$²"ÑUIKÍENU FROM ÌÏÁÄÓÔÁÒ"[ ’Ÿ1,DV,15,"R0:QUIK.INI=QUIK.INI"h “„1,EN: 1y ”‹ EN³±63§407š •Ÿ4,DV,8,"QUIK.INI":¡#4,A$,B$§ –„4,N$: 4­ —ã ý™"“":A$²" " þB$²"©©©©©©©©©©©©©©©©'©©©©©©©©©©©©©©©©©©©©©©": —214,10:™:—646,15:I²1¤10:™""B$:‚f —214,12:™:—646,11:I²1¤7:™£3)È(B$,33):‚” —214,11:™:—646,3:I²1¤7:™£4)""È(B$,33):‚ &—214,13:™:—646,7:I²1¤3:™£6)""È(A$,29):‚Ù +N$²"žÂOOTING "ªN$í ,TB²19«Ã(N$)­2ª2 0—214,14:S™:™£TB)N$ DŽ> 'D²Â(186):N$²"STAR":Ÿ15,D,15,"S0:"ªN$: 15:”N$,D:€I `ê‰1000011:I²1¤7:™£3)È(B$,33):‚” —214,11:™:—646,3:I²1¤7:™£4)""È(B$,33):‚ &—214,13:™:—646,7:I²1¤3:™£6)""È(A$,29):‚Ù +N$²"žÂOOTING "ªN$í ,TB²19«Ã(N$)­2ª2 0—214,14:'U Í Ò . Å Ä Ó Ô Á Ò BY ÄAVE ÍOORMAN ÎÏÔÅ: ÆOR FAST ACCESS TO ÍÒ.ÅÄÓÔÁÒ FROM IMMEDIATE MODE, TYPE: ÌÏÁÄ"Í",DV:<ÓHIFT-ÒÕÎ> ÁÎÏÔÈÅÒ ÎÏÔÅ: ×HEN ÍR. ÅDSTAR FIRST BOOTS OFF A UTILITY DRIVE, BE SURE TO PRESS <Ã=-Ä> AND CLICK' ON THE ÄRIVE OPTION TO CHOOSE THE DRIVE THAT WILL CONTAIN YOUR FILES. ÅDSTAR HAS ALWAYS BEEN A SWEET LITTLE TEXT EDITOR. ÎO ÍICROSOFT ×ÏÒÄ, BUT EXACTLY WHAT YOU NEED IF YOU ARE WRITING FOR A Ã-64 SCREEN. É USE IT CONSTANTLY FOR ÌÏÁÄÓÔÁÒ, SO É ALS' O DEVELOPED A LIST OF THIGS É WISHED ÅDSTAR COULD DO: ÌOAD AND ÓAVE ÍÓ-ÄÏÓ ÔØÔ FILES ÌINE ÃENTER, ÌEFT, ÒIGHT Á U T O Ä O U B L E - S P A C E ÁUTO ÇLUE ENTIRE PARAGRAPH ÐRINT 65 COLUMN HARD COPIES. ÓECONDLY, É WANTED A MOUSE-DRIVEN PROGRAM W' ITH ALL THE COMANDS AVAILABLE AS GENERAL HOTKEYS, MENU HOTKEYS, MENU CURSOR, AND (OF COURSE) MENU MOUSE. ÔHAT WAY, YOU CAN LEARN THE EASIEST KEYSTROKE, YET HAVE EVERY FUNCTION AVAILABLE ON MENU AS WELL. ÌASTLY, É WANTED THE KEYSTROKE COMMANDS TO DUP' LICATE THOSE OF EARLIER ÅDSTARS. É HAVE BECOME QUITE USED TO <ÃÔÒÌ-É> AND <ÃÔÒÌ-Æ><ÃÔÒÌ-Ç>. ÂUT É FIGURED WE COULD HAVE SOME EASIER ONES AS WELL (<ÃÔÒÌ-Æ><ÃÔÒÌ-Ç> CAN NOW BE ACCOMPLISHED NOW WITH <Ã=-Ç>.) É HAVE FOLLOWED THE LEAD OF THE ÐOPULAR ÏPER' ATING ÓYSTEMS AND PUT THE SEMI-OBLIGATORY ÍENU ÂAR ACROSS THE TOP OF THE SCREEN. ÃLICK IT WITH THE ÍOUSE, OR PRESS THE HIGHLIGHTED KEY COMBINATION TO PULL DOWN THE MENU: ÇREEN ÈIGHLIGHT -- <Ã=-KEY> ÙELLOW ÈIGHLIGNT -- <ÃÔÒÌ-KEY> ÒEVERSED ÃHAR ' -- ÏN THE MENU, THE HIGHLIGHTED LETTER WITHIN THE COMMAND WORD IS THE ÍENU ÈOTKEY, GOOD ONLY WHEN THE MENU IS OPEN. ÔHE LETTER TO THE RIGHT OF THE COMMAND IS THE ÇENERAL ÈOTKEY, WHICH LETS YOU AVOID OPENING ÍENUS ALL THE TIME. ÁS YOU LEARN THE ÇE'NERAL ÈOTKEYS, YOU WON'T NEED THE MENUS AS MUCH. ÔHE <ÉÎÓÔ/ÄÅÌ> KEY WORKS AS YOU MIGHT EXPECT -- UNSHIFTED TO ÄELETE AND SHIFTED TO ÉNSERT SPACES. ÃHARACTERS PUSHED OFF THE RIGHT EDGE OF THE SCREEN ARE LOST. [ÅÄÓÔÁÒ ÐÒÏÔÏÃÏÌ] [---------------] ' ÍR. ÅDSTAR HAS A FREELY ROAMING CURSOR, BUT IS STILL A LINE-BASED TEXT EDITOR. ÔHAT MEANS THE TEXT LINE UNDER THE CURSOR IS ALL ÍR. ÅD IS WORKING ON. ×HEN SAVED AS A Ô. FILE, EACH LINE HAS ITS OWN CARRIAGE RETURN. ÁND AS PER ÉMPERIAL ÃOMMAND OF 'ÌEE ÎOVAK, ÍR. ÅDSTAR SAVES Ô. FILES WITH A ÚERO ÂYTE AT THE END. ÔHIS MAKES THE FILES PERFECT FOR ÒACKING WITH ÍR. ÍOUSE (AND NOW WITH ÄOTÂÁÓÉÃ'S .ÒË COMMAND)! ÆOR PRINTING HARD COPIES IN 65 COLUMNS AND SAVING ÔØÔ FILES, ÍR. ÅDSTAR REMOVES THE CARR'IAGE RETURNS EXCEPT AT THE END OF A PARAGRAPH. ÔHE END OF A PARAGRAPH IS DEFINED AS WHEN THE [NEXT] LINE IS BLANK OR HAS A SPACE IN THE FIRST COLUMN. [ÔÈÅ ÍÅÎÕÓ ÁÎÄ ÃÏÍÍÁÎÄÓ] [----------------------] [ÆILE] <Ã=-Æ> [ÎEW] <Ã=-Æ><Î> OR <Ã=-Î> ' ÃLEARS THE TEXT. [ÌOAD] <Ã=-Æ><Ì> OR <ÃÔÒÌ-Ì> ÌOADS A FILE. ÉF THE FILENAME BEGINS WITH "Ô.", THEN IT IS PRESUMED TO BE A 38 COLUMN ÐÅÔÁÓÃÉÉ FILE. ÉF THE FILENAME HAS A ".ÔØÔ" EXTENSION, IT IS PRE'SUMED TO BE A ÍÓ-ÄÏÓ ÁÓÃÉÉ FILE. ÉF NEITHER ARE PRESENT, YOU WILL BE ASKED TO CHOOSE: 1. Ã= Ô.FILE 2. Ðà FILE.ÔØÔ 3. ÃANCEL ÎÏÔÅ: ÔØÔ FILES WILL LOSE THE FIRST TWO CHARACTERS WHEN ' PORTED INTO ÍR.ÅDSTAR. [ÓAVE] <Ã=-Æ><Ó> OR <ÃÔÒÌ-Ó> ÓAVES FILE WITH SAME PRESUMP- TIONS AS ÌÏÁÄ. ÉF THE TEXT IS NEW, TYPE IN THE FILENAME. [ÓAVE ÁS] <Ã=-Æ><Á> OR <ÃÔÒÌ-Á> ÌETS YOU TYPE IN A NEW NAME FOR 'YOUR FILE. [ÄISK/ÄIR] <Ã=-Æ><Ä> OR <Ã=-Ä> ÏPENS A MENU TO ALLOW ÄISK ÁCCESS. [1. ÏN ÄEVICE #] ÓHOWS CURRENT ÄRIVE NUMBER. ÓELECT TO CHOOSE A DIFFERENT DRIVE. [2. ÓEND ÄISK ÃOMMAND] ÓELECT ' TO DO JUST THAT. [3. ÄIRECTORY] ÌETS YOU LOOK. [4. ÍEMORY ÃHECK] ÓELECT TO SEE HOW MUCH SPACE YOU HAVE LEFT. [5. ÃANCEL ÄISK/ÄIR] JUST LETS YOU OUT OF THE MENU -- AS DOES' CLICKING ANYWHERE ELSE ON THE SCREEN. [ÐRINT] <Ã=-Æ><Ð> OR <ÃÔÒÌ-Ð> ÃHOOSE BETWEEN 1 - 65 COL. COLUMN OR 2 - 38 COL. COLUMNS. [ÅXIT] <Ã=-Æ><Ø> OR <ÃÔÒÌ-Ø> ÑUIT ÍR. ÅDSTAR AND RETURN TO ' ÌÏÁÄÓÔÁÒ (IF DISK IS IN DRIVE). [ÅDIT] <ÃÔÒÌ-Å> [ÉNSERT] <ÃÔÒÌ-Å><É> OR <ÃÔÒÌ-É> ÉNSERT A LINE AT CURSOR, PUSHING OTHER LINES DOWN. [ÄELETE] <ÃÔÒÌ-Å><Ä> OR <ÃÔÒÌ-Ä> ÄELETES CURSOR LINE, PULLING OTHER 'LINES UP. [ÉNDENT] <ÃÔÒÌ-Å><Î> OR <ÓÔÏÐ> ÍOVES ÃURSOR OVER 4 SPACES. ÎO WORD WRAP. [ÉNDENT ÎUMBER] <ÃÔÒÌ-Å><Î><#> OR <Ã=-NUMBER KEY> ÐUSHES LINE FROM FIRST COLUMN UP TO 8 SPACES RIGHT, AND ' PERFORMS WORD WRAP. ÎON-SPACE CHARACTER MUST BE IN COLUMN 0. [ÆUNCTION] <ÃÔÒÌ-Æ> [ÓPLIT] <ÃÔÒÌ-Æ><ÃÔÒÌ-Ó> OR <Ã=-Ó> ÓPLITS LINE AT SPACE UNDER OR RIGHT OF CURSOR. ÃURSOR TO NEXT LINE. [ËUT] <ÃÔÒÌ-Æ><ÃÔÒÌ-Ë'> OR <Ã=-Ë> ÃHARACTER UNDER CURSOR GOES TO NEXT LINE. ÃURSOR STAYS ON CURRENT LINE. [ÂREAK] <ÃÔÒÌ-Æ><ÃÔÒÌ-Â> OR <ÓHIFT-ÒÅÔÕÒÎ> ÓPLITS LINE AT SPACE UNDER OR TO THE LEFT OF CURSOR. ÃURSOR ST'AYS ON CURRENT LINE. [ÇLUE] <ÃÔÒÌ-Æ><ÃÔÒÌ-Ç> OR <Ã=-Ç> ÃONNECTS NEXT LINE TO CURRENT LINE WITH SINGLE WORD WRAP IF NEEDED. ÇLUE ALWAYS PUTS A SPACE BETWEEN THE END OF THE CURRENT LINE AND THE BEGINNING ' OF THE GLUED LINE. [ÕNITE] <ÃÔÒÌ-Æ><ÃÔÒÌ-Õ> OR <Ã=-Õ> ÇLUES FROM CURRENT LINE TO END OF PARAGRAPH. [ÆORMAT] <ÃÔÒÌ-Ï> [ÁLIGN ÃENTER] <ÃÔÒÌ-Ï><Ã> OR <Ã=-Å> ÃENTERS CURRENT LINE. [ÁLIGN ÌEFT] <ÃÔÒ'Ì-Ï><Ì> OR <Ã=-Ì> ÍOVES CURRENT LINE TO LEFT EDGE. [ÁLIGN ÒIGHT] <ÃÔÒÌ-Ï><Ò> OR <Ã=-Ò> ÍOVES CURRENT LINE TO RIGHT EDGE. [ÕP/ÌOW ÃASE] <ÃÔÒÌ-Ï><Õ> OR <ÃÔÒÌ-Õ> ÔOGGLES C'URRENT LINE BETWEEN ALL ÌOWER ÃASE AND ALL ÕPPER ÃASE. ÔHAT IS, TO GET ALL ÕPPER ÃASE, PRESS <Ã=-Õ> <Ã=-Õ>. [×IDE] <ÃÔÒÌ-Ï><×> OR <Ã=-×> ÃURRENT LINE MUST BEGIN AT LEFT EDGE AND BE NO LONGER TH' AN 19 CHARACTERS. ÌETTERS ARE [Ó Ð Á à ŠÄ] LIKE THIS. [ÌEFT ÃURSOR] <ÃÔÒÌ-Ï><Ì> OR <Æ1> [ÒIGHT ÃURSOR] <ÃÔÒÌ-Ï><Ò> OR <Æ7> [ÔOP ÃURSOR] <ÃÔÒÌ-Ï><Ô> OR <Æ2> [ÂOTTOM ÃURS] <ÃÔÒÌ-Ï><Â> OR <Æ8> [ÉNFO] <Ã=-É> ÐRESENTS ÍEMORY'! AVAILABLE (ÍR. ÅDSTAR BEGINS WITH 19199 BYTES FOR TEXT.), AND THE LINE NUMBER THE CURSOR IS ON. [ÔECHNO-ÎOTES] [------------] ÉNSIDE, WHERE YOU WOULD NEVER KNOW IT, ÍR. ÅDSTAR WORKS EXCLUSIVELY WITH ÓCREEN ÃODE FOR THE CHARACTERS. Ô'"HIS ENABLES MUCH FASTER RESPONSE TIMES AND ELIMINATES THE WHOLE ÄOUBLE-ÑUOTE ÍODE PROBLEM. ÔHE OTHER ADVANTAGE OF USING ÓCREEN ÃODE IS THAT A BYTE WITH BIT 7 SET COULD THEN BE THE ÅND OF ÌINE MARKER. ÔHE OTHER 7 BITS OF THE MARKER THEN HOLD THE LENG'#TH OF THE PREVIOUS LINE. ÍEMORY IS ARRANGED WITH TWO ÓTACKS -- ONE FOR EVERYTHING ABOVE THE CURSOR LINE AND ONE FOR EVERYTHING BELOW THE CURSOR LINE. ÔHE LINE UNDER THE CURSOR IS HELD IN A ÂUFFER, WHERE ALL TYPING AND MANIPULATION OCCURS. ÔHE Æ'$RONT ÓTACK ÐOINTER POINTS TO THE LAST ÅND OF ÌINE MARKER. ×HEN A LINE IS ADDED TO THE ÆRONT ÓTACK, THE ÐOINTER IS INCREMENTED AND THE DATA IS TRANSFERED FROM FIRST TO LAST CHARACTER. ×HEN A LINE IN THE ÆRONT ÓTACK IS MOVED TO THE ÂUFFER, THE LINE LENGTH '%(IN THE ÅND OF ÌINE MARKER) IS SUBTRACTED FROM THE ÆRONT ÐOINTER. ÔHEN THE DATA IS MOVED TO THE ÂUFFER FROM FIRST TO LAST CHARACTER. ÁLL FUNCTIONS (EXCEPT THOSE IN THE ÆILE ÍENU) ARE CONTROLED BY THE ÇENERAL ÈOTKEYS IN ÍÌ. ×HEN THE ÍOUSE IS CLICKED '&(OR ONE OF THE ÍENU ËEYS IS PRESSED), CONTROL RETURNS TO ÂASIC. ÍR. ÍOUSE THEN CAN HANDLE ALL THE MENUS AND DIALOG BOXES. ÌOADING, ÓAVING, AND ÐRINTING ARE ALL HANDLED BY ÂASIC CODE, WITH A LITTLE HELP FROM ÍR. ÍOUSE AND SOME CUSTOM ÍÌ. ÆOR THE REST OF T''HE FUNCTIONS, THE ÇENERAL ÈOTKEY IS ÐÏËÅD INTO THE DYNAMIC KEYBOARD, AND CONTROL RETURNS TO THE MAIN ÍÌ LOOP. ÏNE PARTICULARLY FRUSTRATING PUZZLE WAS CONVERTING FROM ÔØÔ FORMAT TO ÓCREEN ÃODE, AND VICE VERSA. ÂILL ÇATES' EARLY EXPERIENCE WITH TELETY&PE TIME-SHARE COMPUTING IS EVIDENT WITH ÍÓ-ÄÏÓ TEXT FILES. ÐARAGRAPHS END WITH [BOTH] A ÃÈÒ$(13) AND A ÃÈÒ$(10). ÍY PROBLEM WAS WHAT TO DO WITH THAT DANGED EXTRA CHARACTER, WITHOUT HAVING TO MOVE A BUNCH OF DATA. 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ÁND HERE IS MY NEW UTILITY TO DO JUST THAT. ÉT IS FAST -!(ESPECIALLY AT WARP SPEED), AND DOES EVERYTHING EXACTLY RIGHT. ÂEFORE YOU START, COPY THE *.ÔØÔ FILES TO A Ã= DISK OR (WITH ÖÉÃÅ) DISK IMAGE. ÔØÔ2Ô WILL SCAN THE DISK (IMAGE) FOR ALL FILES WITH THE ÔØÔ EXTENSION AND (IF A Ô.* FILE IS NOT ALREADY PRE-"SENT WITH THE SAME NAME) WILL DO THE CONVERSION. ÔÈÅ ÂÕÔÔÏÎÓ ×HEN YOU BOOT ÔØÔ2Ô, YOU HAVE THREE BUTTONS WHICH CONTROL EVERYTHING. ÆÉÌÅÓ -- ÔHIS BUTTON LETS YOU CHOOSE THE DRIVE FROM A MENU OF AVAILABLE DRIVES, AND LOOK AT THE DIRECTORY OF THE -#CURRENT DRIVE. É HAVE MY UTILITIES ON DRIVE 9, AND WORK ON DRIVE 8, SO THIS BUTTON ALLOWS SWITCHING TO DRIVE 8. ÄÏ ÉÔ -- ÄOES WHAT IT SAYS. ÔHE NUMBER OF FILES IS DISPLAYED, PLUS THE NAME OF EACH AS IT IS PROCESSED AND SAVED. ÙOU WILL NOW HAVE Ô.* VERS-$IONS OF ALL *.ÔØÔ FILES ON THE DISK. ÓÃÒÅ× ÉÔ -- ÔIME TO GO DO SOMETHING USEFUL (LIKE TAKE OUT THE GARBAGE). ÐRESS <Ó> TO EXIT THE PROGRAM. ÉT IS JUST THAT SIMPLE. ÐÒÅÐÁÒÉÎÇ ÙÏÕÒ ÔØÔ ÆÉÌÅ ÔØÔ 2 Ô HAS TO MAKE SOME SIMPLE ASSUMPTIONS ABOUT W-%HERE A PARAGRAPH ENDS. ÉF YOUR ÔØÔ FILE IS FORMATED CORRECTLY, THE Ô FILE WILL LOOK PRETTY GOOD. ÈERE ARE THE RULE: ÁNY ÃARRIAGE ÒETURN FOLLOWED BY A ÓPACE OR A SECOND ÃÒ IS CONSIDERED THE END OF A PARAGRAPH. ÈERE ARE EXAMPLES. ÔÉÔÌÅ ----- ×HAT IS T-&HIS LINE? ÁND ANOTHER LINE. ÔHIS IS CONVERTED TO: ÔÉÔÌÅ ----- ×HAT IS THIS LINE? ÁND ANOTHER LINE. ÂE SURE TO USE A SPACE AT THE BEGINNING OF THE NEXT PARAGRAPH, OR LEAVE A LINE IN BETWEEN. ÔÅÃÈÎÏ-×ÈÉÎÉÎÇ ÖÉÃÅ IS A WONDERFUL WAY TO DEVE-'LOP SOFTWARE. ÄISK ACCESS IS FAST. É CAN MAKE MY ÕTILITY DISK (IMAGE) ATTACH AUTOMATICALLY. ÅVERYTHING É NEED IS ON DRIVE 9 WHEN É BOOT UP. ÂUT ONE THING ONE SHOULD NOT DO IS HAVE TWO INSTANCES OF ÖÉÃÅ RUNNING AT THE SAME TIME -- WITH THE SAME DISK .IMAGE(S) ATTACHED. ÔHIS CAN SCREW UP THE DISK IMAGE IN NO TIME FLAT. ÁND THAT'S WHAT HAPPENED THE OTHER DAY. É USED TWO INSTANCES OF ÖÉÃÅ, BOTH ATTACHED TO THE UTILITY DISK IMAGE. ÁND THE IMAGE WAS DAMAGED. ×HAT WAS MOST TROUBLESOME IS THAT MY ÔØÔ2Ô. UTILITY WAS SMASHED. ÓO IT WAS TIME TO WRITE A NEW ÔØÔ2Ô UTILITY. É DECIDED TO USE ÄOTÂÁÓÉÃ, SINCE IT INCLUDES NUMBEROUS COMMANDS THAT MAKE LIFE SIMPLE. ÆOR INSTANCE, WE WANT TO CONVERT ONLY FILES WITH A ÔØÔ EXTENSION. ÁFTER LOADING THE DIRECTORY (.A SIMPLE Ä COMMAND) AND RACKING IT (A TEMENDOUS COMMAND THAT MAKES DATA IN MEMORY (EVEN UNDER ÒÏÍ) INTO A VIRTUAL STRING ARRAY), IT IS EASY TO SEARCH OF *.ÔØÔ EXTENSIONS, AND PUT THEM IN A STRING PACKET. ÔO IMPROVE EFFICIENCY (AND SPEED), É DUG UP :AN OLD ÍÌ ROUTINE CALLED ÉÎÐÕÔ ÁÎÙ, WHICH LOADS DISK FILES INTO A ÂÁÓÉà VARIABLE (OF A PREDETERMINED LENGTH). ÂUT IT NEEDED SOME ADJUSTMENT. ÆIRST OF ALL, ENDING THE STRING WHENEVER A ÃÈÒ$(13) APPEARS DID NOT WORK FOR MY NEEDS. ÓO É REMOVED THAT. ÔH.U ÂÅÈÉÎÄ ÑÕÉËÍÅÎÕ BY ÄAVE ÍOORMAN ÑUIKÍENU IS A CULMINATION OF OVER 22 YEARS OF PROGRAMMING EXPERIENCE AT ÌÏÁÄÓÔÁÒ. ÆROM THE BEGINNING, ÌÏÁÄÓÔÁÒ HAS CREATED A CONTINUOUS ENVIRONMENT FOR THE PRESENTATION OF TEXT AND SOFTWARE. . É REMEMBER BOOTING MY FIRST ÌÏÁÄÓÔÁÒ ISSUE, BACK IN 1988. ×E LIVED A LONG WAY FROM ANY TELECOMPUTING SERVICE SUCH AS ÑUANTUMÌINK OR ÄELPHI, AND É IMAGINED THAT THIS EASY-TO-USE MENU WHICH ALLOWED ME TO GO FROM PROGRAM TO PROGRAM SEAMLESSLY WAS WHAT .IT MUST BE LIKE ONLINE. É WAS WRONG. ÌÏÁÄÓÔÁÒ WAS BETTER! ÑUIKÍENU BRINGS THIS SAME SEAMLESS ENVIRONMENT TO ÙÏÕÒ DISK PRESENTATION. ÂE SURE TO READ THE ARTICLES ON THIS DISK FOR STEP-BY-STEP INSTRUCTIONS. ÔWENTY-TWO YEARS IS A LONG TIME. Æ.OR A COMPUTER PLATFORM, IT IS A VERY LONG TIME. ÏVER THE DECADES, ÌÏÁÄÓÔÁÒ HAS LED THE WAY TO ELEGANT PROGRAMMING FOR HOBBYISTS. ÍOST EVERYTHING THE GUYS AT THE ÍIGHTY ÌÏÁÄÓÔÁÒ ÔOWER WERE DOING WAS INCLUDED ON AN ISSUE WITH A FULL TUTORIAL AND DOCUMENTAT.ION. ÌÏÁÄÓÔÁÒ BECAME MY GRADUATE COURSE IN SOFTWARE DEVELOPMENT. ÉN 1988, ÆENDER ÔUCKER ARRIVED AT THE ÓOFTDISK ÃATACOMBS AS THE ÍANAGING ÅDITOR OF ÌÏÁÄÓÔÁÒ. ÈE SOON SET OUT ON A QUEST FOR ÌÏÁÄÓÔÁÒ ÑUALITY. ÈE NEVER REALLY DEFINED THE TERM, BUT. GAVE SOME IMPORTANT SUGGESTIONS. ÕNLIKE ITS COMPETITORS, ÌÏÁÄÓÔÁÒ WAS NOT LIMITED TO WHAT A HOBBYIST COULD TYPE IN FROM A PAPER MAGAZINE PAGE. ÐROGRAMMERS WERE ENCOURAGED TO USE CUSTOM FONTS, MUSIC, SOUND EFFECTS AND ANYTHING THAT WOULD MAKE THE PR. OGRAM GREAT LOOKING. ÔHE "BLUE ON BLUE" SCREEN WAS A BIG ÎO-ÎO -- EVEN FOR A ÍACHINE ÌANGUAGE UTILITY. ÌÏÁÄÓÔÁÒ HAS ALWAYS FAVORED ÂÁÓÉà AS THE "CONTROL" LANGUAGE. ÔO THAT END, WE PUBLISHED MANY ÍÌ "MODULES" WHICH ALLOWED MOST ANY INTERMEDIATE ÂÁÓÉÃ. CODER TO INCLUDE FAST AND FANTASTIC EFFECTS. Á MODULE IS A COLLECTION OF RELATED ÍÌ ROUTINES, CALLED WITH A ÓÙÓ COMMAND (INCLUDING PARAMETERS). ×ITH THESE MODULES, ANYONE COULD PUT NICE BOXES ON THE SCREEN, MAKE MENUS, PRINT AT, AND DO SLICK DISK ACCESS. FOR A "FILE REQUESTER." ÏTHER MODULES ALLOWED DIRECT ACCESS TO A BITMAP SCREEN, EASY USE OF BITMAPS IN PROGRAMS, SOUND EFFECTS, MUSIC, FONT EFFECTS, AND EVEN RASTER INTERRUPT SPLIT-SCREEN EFFECTS. ÍANY OF THESE COMMANDS ARE AVAILABLE IN ONE ÂÁÓÉà Å. XTENSION OR ANOTHER -- BUT ÌÏÁÄÓÔÁÒ HAD A SPECIAL CONCERN. ÂÁÓÉà ÅXTENSIONS AND MANY OF THE FEATURES OFFERED BY OTHERS WOULD GRAB HOLD OF THE MACHINE AND NEVER LET GO. ÔHIS BROKE THE CONTINUOUSNESS OF THE ÌÏÁÄÓÔÁÒ PRESENTATION. ×ITH MODULES, THE PRO.GRAMMER COULD ÂLOAD WHAT WAS NEEDED, ADJUST ÂÁÓÉà MEMORY, USE THE EXTRA COMMANDS, THEN PUT THINGS BACK AS THEY WERE BEFORE EXITING THE PROGRAM. ÐROBABLY THE GREATEST SERIES OF MODULES EVERY CREATED WAS ÍR.ÍOUSE. ÓUDDENLY, THE Ã-64 WAS RIGHT UP THERE. WITH THE ÐOINT AND ÃLICK WORLD. ÁND ANY HOBBYIST COULD USE ÍR.ÍOUSE IN ANY PROGRAM. ÌEE ÎOVAK, THE CREATOR OF THE VARIOUS PACKAGES, INCLUDED COMMANDS MOST OFTEN USED -- SUCH AS ÂOX AND ÍENU -- AND ADDED PROGRAMMING OBJECTS SUCH AS MULTI-SELECT, SCROLLIN.G MENUS, AND MOUSE-SENSATIVE REGIONS. ÔHE ULTIMATE ÍR.ÍOUSE (V.2.1) HAD 57 COMMANDS TO MAKE ÂÁÓÉà SPARKLE. Á COUPLE OF YEARS AGO, MY Ðà GURU CHALLENGED ME TO CREATE A "ÖISUAL ÂASIC" FOR THE Ã-64. ÏF COURSE, É FIRST TURNED TO ÍR.ÍÏÕÓÅ 2.1. ÔHEN É REF.URBISHED ÍR.ÍÉÃË TO BECOME A ÖISUAL ÄESIGN UTILITY. ÎOT ONLY COULD THE PROGRAMMER TYPE, DRAW, AND PAINT THE SCREEN -- NOW ÅVENT ÒEGIONS COULD BE DEFINED AND ASSIGNED ROLL-OVER COLOR CHANGES AND ÅVENT ÈANDLING SUBROUTINE LINE NUMBERS. ÔHE TEMPLATE ÂO.OT PROGRAM NEEDED ONLY TO HAVE ITS NAME CHANGED TO MATCH THE SCREEN FILE. ÅVERYTHING ELSE IS NEARLY AUTOMATIC. ÔHE ÅVENT ÄRIVEN PROGRAM WAITS FOR A CLICK -- AND DOES A HIDDEN ÇÏÓÕ TO THE ÅVENT ÈANDLER. ÁND ÄOTÂÁÓÉà ADDS 74 COMMANDS TO ÂÁÓÉà -- INCLUDING.JJœ‹DV³8°DV±29°DV²8§400303JTœA²Â(828):B²Â(828ªDV«8):—828,B:—828ªDV«8,AgJ^œA$²"HELLO CONNECT":J²8¤29:I²Â(828ªJ«8):‹I²14§‚‚Jhœ 2:Ÿ2,I,2: 2:‹ST§40060»Jrœ 15:Ÿ15,I,15,"R0:"ªA$ª"="ªA$:„15,ER: 15:‹ER²63§40070ÙJ|œ‚:™"“":—53272,23:—186,8:€K†œQ$²Ç(34):—64æ6,Â(53281):™"“":—53272,23FKœ™"“PÏ2048,0:PÏ44,8:PÏ43,1:PÏ56,160:PÏ55,0:CLR:LÏ"Q$A$Q$","IpKšœ™"RUN:":—631,13:—632,13:—198,2:€ŒK`êD²8:60008:N$²N$ª".DOT"´KaêŸ1,D,15,"I0":˜1,"S0:"ªN$: 1:”N$,D:€ÆKhêN$²"TXT TO T"ÌKiꎗ186,8:€K†œQ$²Ç(34):—64. THE 57 FROM ÍR.ÍOUSE. ÔHE ÄO-ÌOOP IS A BREEZE TO USE, ALONG WITH ÓCREEN ÏBJECTS, VIRTUAL STRING ARRAYS IN UNDER-ÒÏÍ MEMORY, AND AUTO-SORTING. ÓO, WHEN ÎIGEL ÐARKER NEEDED A MENU PROGRAM FOR ÃOMMODORE ÆREE, É WARMED UP ÄOTÂÁÓÉà AND DID THE PRIN.CIPLE WORK IN ABOUT SIX HOURS. (ÁND YES, DEBUGGING TOOK ANOTHER SIX HOURS!) ×E HOPE YOU ENJOY ÑUIKÍENU. É HAVE NOT SEEN ANY OTHER DISK MENU SYSTEM (EXCEPT ÌÏÁÄÓÔÁÒ'S ÉSSUE ÐRESENTER) THAT MAKES THE WHOLE DISK INTO ONE, UNBROKEN "OPERATING SYSTEM." o ÁND IT IS YOURS -- FREE. ÊUST DON'T FORGET ÌÏÁÄÓÔÁÒ. ÖISIT US AT HTTP://C64.ELOADSTAR.COM/ ÄÍÍ HAVE NOT SEEN ANY OTHER DISK MENU SYSTEM (EXCEPT ÌÏÁÄÓÔÁÒ'S ÉSSUE ÐRESENTER) THAT MAKES THE WHOLE DISK INTO ONE, UNBROKEN "OPERATING SYSTEM." .U ÁÂÏÕÔ ÄÁÖÅ ÍÏÏÒÍÁÎ BY ÍARION ÆINSTERWALD ÄAVE ÍOORMAN GOT HIS VERY FIRST COMPUTER FOR ÃHRISTMAS IN 1967. ÉT WAS PLASTIC WITH METAL RODS AND RUBBER BANDS, WAS POWERED BY SLIDING A BAR BACK AND FORTH, AND HAD THREE BITS OF MEMORY.. ÃOUNT 'EM! ÔHREE. ÂÉÔÓ! ÈE COULD DO ÁÎÄ ÇATES AND ÏÒ ÇATES AND ÅÏÒ ÇATES AND THIS WAS WHEN ÂILL ÇATES WAS STILL IN ELEMENTARY SCHOOL! ÄAVE WENT TO COLLEGE THE NEXT YEAR, STUDYING MASS COMMUNICATIONS -- AND MARRYING ÓHERI. ÆINANCIAL LIMITATION. KEPT ÄAVE FROM GETTING IN ON THE FIRST WAVE OF HOME COMPUTERS. ÔHERE WAS A NEW SON -- BORN WITH THE ADVENT OF THE ÁLTAIR -- AND A COLLEGE DEGREE TO COMPLETE. ÂUT IN 1979, WHILE SEMI-EMPLOYED, HE CONVINCED ÓHERI THAT HE ÎÅÅÄÅÄ A COMPUTER. ÈIS ÔÒÓ-80 ARRI.VED ON ÊULY 3. ÔHAT NIGHT, HE STARTED TO PROGRAM. ÓHERI CALLED DOWN TO THE BASEMENT, "ÁREN'T YOU COMING TO BED?" "ÉN A MINUTE." ÌATER, SHE YELLED, "ÉT'S GETTING LATE!" "ÊUST ONE MORE THING." ÓOME INDETERMINABLE TIME LATER, SHE AS.KED, "ÁRE YOU STILL AT THAT THING?" "É'LL COME TO BED IN A SEC." "ÔOO LATE," SHE REPLIED. "ÉT'S 6 IN THE MORNING -- AND WE HAVE TO BE IN THE ÆOURTH OF ÊULY PARADE IN AN HOUR!" ÄAVE RECEIVED A CALL TO THE ORDAINED MINISTRY IN THE ÕNITED ÍET.HODIST ÃHURCH IN 1981, GRADUATED FROM SEMINARY IN 1985, AND MOVED TO ÃRAIG, ÃÏ, TO LEAD HIS FIRST CHURCH. ÔHE ANCIENT ÔÒÓ-80 WAS NOT UP TO THE RIGORS OF A PASTORAL OFFICE, SO HE UPGRADED TO A Ã-128. ÂUT AFTER A FEW YEARS, HE FOUND THAT THE Ã-64 WAS .REALLY ALL THE COMPUTER HE REALLY NEEDED FOR HIS SMALL PROGRAMMING PROJECTS. ×ITH A MARVELOUS BOOK ENTITLED ÔHE ÃOMPLETE ÃOMMODORE ÉNNER ÓPACE ÁNTHOLOGY, ÄAVE LEARNED ÍACHINE ÌANGUAGE AND OTHER ESOTERIC KNOWLEDGE OF THE MACHINE. ÉN 1992, HE PLAYED A. GAME CALLED ÒAILROAD ÂARON ON HIS SISTER'S ÐÃ, AND DECIDED TO TRY TO DO THE SAME SORT OF THING ON HIS Ã-64. ÔHE RESULT WAS ÓEA TO ÓEA, WHICH HE SENT TO THE ONLY PUBLICATION THAT MIGHT WANT A PROGRAM WITH A 20Ë MAP OF THE ÕNITED ÓTATES -- ÌÏÁÄÓÔÁÒ. . ÆENDER ÔUCKER BOUGHT ÓEA TO ÓEA, AND ÄAVE BECAME A FAIRLY PROLIFIC PROVIDER OF INTERACTIVE AMUSEMENTS FOR THE MAGAZINE. ÔIME PASSED, AND THE CHURCHES NOW HAD ÐÃS WITH ×INDOWS. ÔHE WORK OF GETTING OUT NEWS LETTERS AND PROCESSING PHOTOS TOOK OVER HIS COMPU.!TER TIME. ÂUT IN 1999, ÄAVE DISCOVERED THE WORLD OF EMULATION -- AND HAD A CRAZY IDEA. ÈE CALLED ÆENDER AND SAID, "×HY DON'T WE PUT TOGETHER A ÌÏÁÄÓÔÁÒ FOR ÐÃS?" ÁND ÆENDER REPLIED, "ÇO FOR IT!" ÄAVE TOOK A YEAR OF FAMILY HEALTH LEAVE SO H."E AND ÓHERI COULD TEND TO HIS FATHER WHO HAD TERMINAL CANCER. ×HILE WITH HIS PARENTS, HE PUBLISHED A DOZEN ISSUES OF EÌÏÁÄÓÔÁÒ TO A GROWING SUBSCRIPTION BASE. ÂUT A THE END OF THE YEAR, ÆENDER HAD DECIDED TO MOVE ON TO OTHER PURSUITS -- SO ÄAVE AND ÓHERI.# STEPPED UP AND RECKONED THEY COULD KEEP ÌÏÁÄÓÔÁÒ ALIVE FOR AWHILE. ÁFTER HIS FATHER'S DEATH, ÄAVE MOVED TO ÈOLLY, ÃÏ, WHERE HE PASTORS THREE SMALL CHURCHES. ÌÏÁÄÓÔÁÒ KEEPS HIM OUT OF TROUBLE! ÔHE MONTHLY PUBLICATION HAS SLOWED TO ABOUT BI- MONTHLY,.$ AND AS OF THIS WRITING IS READY TO SHIP ISSUE 247. ÂUT NOTHING IS FOREVER. ÌÏÁÄÓÔÁÒ WILL END ITS DISK PUBLICATION WITH ISSUE 256, THOUGH NO DOUBT ÄAVE WILL CONTINUE TO WHACK OUT LITTLE PROJECTS ON THE Ã-64 AND PUT THEM ON THE ×EB. "ÔHERE IS RE.%ALLY NO BETTER PLACE FOR A HOBBYIST PROGRAMMER. ÔHE Ã-64 PLATFORM HAS ENOUGH RESOLUTION, COLOR, SOUND, MEMORY, AND SPEED FOR THE THINGS É HAVE TIME TO DO. ÎOW THAT WE HAVE ÖÉÃÅ, WE CAN 'PLAY WITH THE ÂIG ÂOYS' AND DO (OR AT LEAST MODEL) ANYTHING COMPUTATIONAL." ÍÆ PLACE FOR A HOBBYIST PROGRAMMER. ÔHE Ã-64 PLATFORM HAS ENOUGH RESOLUTION, COLOR, SOUND, MEMORY, AND SPEED FOR THE THINGS É HAVE TIME TO DO. 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&8¨©W ×/¦û¤ûð ½0Ê÷©FL×/­M%…û­N%…ü LF,8é°ÊIÿ…žŠIÿ…Ÿ 48ª†þìO%Ð¥þÍP%ð!±ûæžÐæŸðèÐæþ¥ûi…ûÚæü C,ðÓ ,Ši¦þè` Ÿ8L&8 s) Ÿ8Ls8 á) s) &8L* á) s) &8¥û¢0L* á) s) Ÿ8L9 á) s) Ÿ8L9H©ï% D9hÃ% D9L=¬Ã%ˆ˜e´Ö% s9 Ï7)…¶¢,¢Îï%Ð轿%…Ÿ)€z0LM0­ð%mÃ%ô%®ñ%èíO%ŠíP%¢Žô%Žõ%­ô%8é°Ê`  s)™ú%Š™û%ÈÈÀ4Ðð`†û„ü ±û™ú%ˆø`&Ž&Œ&`&Ž&Œ&` L3Ž»%,È%Lë2­j%¬k%Ìì%ðÌë%ÐÍé%Íê%°Íê%°Íé%°èèèèŽÅ%`©…Ç­î%†¦²¬ë% ä) ~ E:­ê%›% ‚ E:­ì%œ% † E:¥²›% Š ê)ª &©L*æÇ­í%†¥²iª¬ë% ä)®&¬&­& *®›%¬ì% ä)®&¬&­&L*$8n¾% “) ¬)í%Žî% ¬)¿%ŽÀ%( ¬)Á%ŽÂ4% s)àð 8 …) Á9 …) Ë90$8n¾% Å)í%Žî% ×)¿%ŽÀ%( ×)Á%ŽÂ% ×)àð 88n¾%¥²È%)…²$³i…³ #, 3Ll;$³i…³8¥³å²É ¥µå´É°` #,© …ž­í%)…Ÿ d- 3æ²Æ³æ´Æµ -¢µ²}z&é%Êôæ´æ´ÆµÆµ : P: n3 !>­ü%…û¬ý%­O%®P% ==¢ ­=¦³¤´ Þ,¢†ÇèŽÃ% Þ< Õ9 e+ðÍÃ%ð 194­Ê%ð^L <­è%®Å%¬Ë%ðàðàТð¢ÿIÿi T=Lš;¬Ê%ð2Ê0/ð¯Êð$Êð!Êð!ÊðÝÊðáÊ,¾%Pàð ° ­= æ ÑÕÉ4Ë.ÉÎÉ. ×HEN ASKED, CHOOSE "Ã= Ô.FILE". ÅACH LINE IS MORE-OR-LESS SELF- IDENTIFIED ON THE RIGHT. ÌINE 1 ÔHE ÎAME OF THE ÃOLLECTION ÌINE 2 ÐOSITION OF ÍAIN ÍENU: CENTER LEFT RIGHT ## (WHERE ## IS THE 4 COLUMN WHERE THE UPPER LEFT CORNER OF THE ÍAIN ÍENU IS POSITIONED) ÌINE 3 ÂACKGROUND ÃOLOR (BEHIND MENU ITEMS) ÌINE 4 ÂORDER/ÍASK ÃOLOR ÔHE BORDER COLO4R IS ALSO PUT ON THE SCREEN AS REVERSE SPACES. ÌINE 5 ÔEXT COLOR ÌINE 6 ÍENU ÈIGHLIGHT ÃOLOR ÌINE 7 ÍENU ÆRAME ÃOLOR ÌINE 8 ÒEADER ÔEXT ÃOLOR ÌINE 9 ÒÒÆ Ø-COORDINATE ÌINE 10 ÒÒÆ Ù-COORDINATE ÒÒÆ=ÒEAD ÉT/ÒUN ÉT/ÆOR4 GET ÉT ÔHESE TWO VALUES POSITION THE UPPER LEFT CORNER OF THE SECONDARY MENU. ÌINE 11 ÎOT ÕSED -- DO NOT REMOVE! ÌINE 12 ÍAIN ÍENU ÔOP ÒOW ÌINE 13 ÒEADER ÂACKGROUND ÃOLOR ÁFTER EDITING THE FILE, PLACE THE WORK DISK 4!IN THE SAME DRIVE AND PRESS <ÃTRL-Ó> TO SAVE THE FILE (THE NAME IS GIVEN -- JUST PRESS <Ù> TO CONFIRM). ÔHE PRESS <ÃTRL-Ø>. ÌÏÁÄ":*",8 AND ÒÕÎ TO SEE WHAT IT LOOKS LIKE. ÉF YOU ARE NOT HAPPY, PUT THE ÑUIKÍENU DISK BACK IN THE DRIVE AND PRESS <Ä> TO 4"LOAD THE MENU. ÌOAD ÍR.ÅDSTAR AND TRY AGAIN. ÆÁÎÃÙ ÓÍÁÎÃÙ! ------------- ÑUIKÍENU CAN ALSO HAVE DESIGNED SCREENS LIKE THE ONE ON THIS DISK. ÕSE ÍR.ÍÉÃË TO CREATE A FILE CALLED ÑÕÉË.ÆÔÓ ON YOUR WORK DISK. ÍR.ÍÉÃË (ÍR. ÍOUSE ÉMAGE ÃONSTRUCTIO4#N ËIT) IS A FULL-FEATURED SCREEN DESIGNER. ÙOU WILL WANT TO PRINT OUT THE DOCUMENTATION FROM THIS DISK. ×ITH ÍR.ÍÉÃË YOU CAN EDIT THE FONT, TYPE ON THE SCREEN, PLACE FONT CHARACTERS WITH ÐOINT AND ÃLICK, CREATE BOXES, AND PAINT THE SCREEN WITH COLORS. 4$ ÉF YOUR WORK DISK IS ON A DIFFERENT DRIVE THAN ÍR.ÍÉÃË, CLICK ÆILE > ÄISK/ÄIR AND CHANGE THE DEVICE NUMBER. (ÙOU HAVE TO CLICK ÅXIT TO LEAVE THE ÄISK/ÄIR MENU.) ÔO SAVE YOUR WORK, CLICK ÆILE > ÓAVE AND CHOOSE ÆONTÔOOLÓTASH.ÆÔÓ. ÔHEN TYPE IN "QUIK" (WI4%THOUT THE QUOTES). ÃLICK ÏË. ÉF ÑÕÉË.ÆÔÓ ALREADY EXISTS ON THE DISK, CLICK ÏË AGAIN TO SCRATCH AND SAVE THE NEW VERSION. ÏNE LAST NOTE: ÔHE AREAS AT THE BOTTOM OF THE SCREEN THAT ARE LABELED ÅXIT, ÈELP, ETC. ARE MOUSE-SENSATIVE. ÓO IT IS A GOOD IDEA4& TO PUT AT THE BOTTOM OF YOUR SCREEN: ÅDIT<3 SPACES>ÈELP<3 SPACES> ÁBOUT ÌÏÁÄÓÔÁÒ<8 SPACES>ÄISK ÍR.ÍÉÃË IS A VERY OLD PROGRAM AND CAN BE QUITE CLUNKY. ÉF YOU HAVE A ÓUPERÃÐÕ, KICK IN THE ÔURBO. ×ITH ÖÉÃÅ, USE ×ARP ÓPEED -- EXCEPT WHEN TYPING4' ON THE SCREEN. ÔÈÅ ÃÏÍÐÌÅÁÔ ÐÁÃËÁÇÅ -------------------- ÁS YOU NOW KNOW, THIS DISK LOADS AND RUNS WITH ÌÏÁÄ":*",8,1 ÅVERYTHING ELSE IS AUTOMATIC. ÙOU MAY HAVE ALSO NOTICED THAT WHEN YOU EXIT A PROGRAM ON THIS DISK (EXCEPT ÄOODLE), YOU RETURN T5O THE ÑUIKÍENU. ÔHIS IS AN INTEGRAL PART OF ÌÏÁÄÓÔÁÒ ÓTYLE WHICH TURNS THE DISK INTO A CONTINUOUS ENVIRONMENT. ÙOU CAN COPY THESE FILES TO YOUR WORK DISK, BEGINNING WITH "!". ÔHIS IS THE ,8,1 AUTOSTART FILE, WHICH IN TURN CALLS ÓÔÁÒ (ERGO ÌÏÁÄ"ÓÔÁÒ"5,8,1 OR ÌÏÁÄ":*",8,1!) ÓÔÁÒ READS THE ÑUÉË.ÉÎÉ FILE AND PUTS THE FIRST LINE AFTER "ÂOOTING". ÔHEN ÓÔÁÒ CALLS ÑÕÉËÍÅÎÕ.ÐËÄ. ÈÅÌÌÏ ÃÏÎÎÅÃÔ IS ÌÏÁÄÓÔÁÒ'S WAY TO GET BACK TO THE MENU AFTER A PROGRAM IS EXITED. ÓEE "ÃONNECTING ÑÍ" FOR WAYS TO MAKE Y3OUR ÂÁÓÉà PROGRAMS RETURN TO THE ÑUIKÍENU. ÄÍÍ É FILE AND PUTS THE FIRST LINE AFTER "ÂOOTING". ÔHEN ÓÔÁÒ CALLS ÑÕÉËÍÅÎÕ.ÐËÄ. ÈÅÌÌÏ ÃÏÎÎÅÃÔ IS ÌÏÁÄÓÔÁÒ'S WAY TO GET BACK TO THE MENU AFTER A PROGRAM IS EXITED. ÓEE "ÃONNECTING ÑÍ" FOR WAYS TO MAKE Y5U ÄÏÏÄÌÉÎÇ ÑÕÉËÍÅÎÕ BY ÄAVE ÍOORMAN ×E HAVE INCLUDED ÄOODLE ON THIS DISK BECAUSE IT IS ONE OF THE BEST AND EASIEST-TO-USE HIGH-RESOLUTION BITMAP DRAWING PROGRAMS EVER. ÅXTENDED DOCS ARE NOT NECESSARY FOR ÄOODLE -- EVERY COMMAN5D IS JUST A <ÒÅÔÕÒÎ> OR <ÓHIFT ÒÅÔÕÒÎ> AWAY. ×ITH ÄOODLE, YOU CAN DRAW A NICE LITTLE PICTURE FOR YOUR ÑUIKÍENU BACKGROUND, THEN PORT IT INTO AN ÆÔÓ FILE USING ÓÔ ÐRINT AND ÓCRN2ÆONT. ÓOME CONSIDERATIONS YOU WILL WANT TO KEEP IN MIND: * ÔHE 5ÆÔÓ FILE USES THE SCREEN FONT AS A BITMAP. ÔHEREFORE ONLY ABOUT ONE- FOURTH OF THE ÄOODLE SCREEN CAN BE USED FOR THE GRAPHIC. * ÙOUR GRAPHIC WILL PROBABLY NEED TO BE A LINE DRAWING, THOUGH CELL-BY-CELL TEXT COLORS CAN BE DISPLAYED FROM AN ÆÔÓ FILE. 5 * ÍAKE THE ÄOODLE NEGATIVE BEFORE SAVING IT. ÔHE COLORS DO NOT MATTER -- THESE YOU CAN CHANGE WITH ÍR.ÍÉÃË. ×ITH A NEGATIVE IMAGE, YOU CAN PAINT AREAS OF THE SCREEN VERY EASILY WITH ÍR.ÍÉÃË. ÔO TRANSFER YOUR ÄOODLE FILE TO AN ÆÔÓ FILE, FIRST USE ÓԔ ÐRINT TO CONVERT THE "ÄÄ*" FILE INTO "*.ÓÈÐ" FORMAT. ÔHEN BOOT UP ÓCRN2ÆONT AND DO THE CONVERSION. ÆINALLY, USE ÍR.ÍÉÃË TO MAKE IT NICE. ÄÍÍ REAS OF THE SCREEN VERY EASILY WITH ÍR.ÍÉÃË. 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ÌÉÎË) 8 ÌÄØ 777 ÓÔÁ 251 ÓÔØ 252 ÌÄÁ #<ÔÒÁÃÅ ÌÄØ #>ÔÒÁÃÅ ÓÔÁ 776 ÓÔØ 777 (ÒÅÐÌÁÃÅ ÏÌÄ ÌÉÎË ÁÄÄÒ. ×ÉÔÈ ÔÒÁÃÅ ÒÏÕÔÉÎÅ) ÒÔÓ ÄÉÓÁÂÌÅ: ÌÄÁ 251 ÌÄØ 252 8ÓÔÁ 776 ÓÔØ 777 (ÒÅÐÌÁÃÅ ÏÒÉÇÉÎÁÌ ÌÉÎË ÁÄÄÒÅÓÓ) ÒÔÓ ÔÒÁÃÅ:ÌÄÁ 58 ÃÍÐ #255 ÂÅÑ ÄÏÎÅ ÌÄÁ #"[" ÊÓÒ 65490 ÊÓÒ 48585 ÌÄÁ #"]" ÊÓÒ 65490 s ÌÄÁ #32 ÊÓÒ 65490 ÄÏÎÅ: ÊÍÐ (251) (ÊÕÍÐ ÔÏ ÏÌÄ ÌÉÎË ÒÏÕÔÉÎÅ) 8U ÐÒÉÎÔ ÔÈÉÓ ÒÏÕÔÉÎÅÓ ÂÙ ÍÎÅÍÏÎÉà ÎÁÍÅÓ -------------------------- ÌÅÇÅÎÄ; =JUMP ADDRESSES, []=VECTOR JUMP ADDRESSES (ARITH ) 44678 $AE86 [778/$030A] GET MATH ELEMENT LINK. (ACPTR) 65445 $FFA5 68 0947/$EE13 GET DATA FROM SERIAL PORT. (BRKINT) 65126 $FE66 [790/$0316] BREAK INTERRUPT VECTOR. (WARM RESET). (CHKIN) 65478 $FFC6 [798/$031E] SET FILE TO READ. (CHKOUT) 65481 $FFC9 [800/$0320] SET FILE TO WRITE. (CHRIN) 65487 $8 FFCF [804/$0324] INPUT ROUTINE. (CHROUT) 65490 $FFD2 [806/$0326] PRINT A CHARACTER. (CINT) 65409 $FF81 65371/$FF5B INITIALIZE SCREEN EDITOR AND 6567 VIC II. (CIOUT) 65448 $FFA8 60893/$EDDD SEND A BYTE OVER SERIAL BUS. (CLALL) 658 511 $FFE7 [812/$032C] CLEAR ALL FILES. (ABORT I/O). (CLRCHN) 65484 $FFCC [802/$0322] CLEAR ALL CHANNELS. (CLRINT) 58235 $E37B CLEARS INTERRUPT AND RESET SYSTEM. (CLRLIN) 59903 $E9FF CLEARS A LINE ON THE SCREEN. (CLR120) 59905 $EA01 8 CLEARS 120 SCREEN BYTES. (CLOSE) 65475 $FFC3 [796/$031C] CLOSE A FILE. (COLDRT) 64738 $FCE2 COLD RESET. (COMMA) 44797 $AFED SEARCH FOR COMMA PARAMETER. (CONINT) 45969 $B391 CONVERTS INTEGER TO A FLOATING POINT NUMBER (CONVFP) 48 5482 $B1AA CONVERT FP NUMBER IN 'FAC1' TO AN INTEGER. (CRUNCH) 42364 $A57C [722/$0304] CRUNCH BASIC TOKENS (ERRMES) 58251 $E38B [768/$0300] ERROR MESSAGE LINK. (GETCHR) 58930 $E632 GET CHARACTER FROM SCREEN. (GETIN) 65508 $FFE4 [8810/$032A] GET ROUTINE. (HRDINT) 59953 $EA31 [788/$0314] HARDWARE INTERRUPT. (IOBASE) 65523 $FFF3 58624/$E500 GET ADDRESSES OF DEVICES. (IOINIT) 65412 $FF84 64391/$FDA3 INITIALIZE ALL I/O DEVICES. (KEYBRD) 42336 $A560 INPUT A LINE 8FROM THE KEYBOARD. (LINPNT) 48589 $BDCD PRINTS INTEGER. (LISTEN) 65457 $FFB1 60684/$ED0C SET A DEVICE ON SERIAL BUS TO READ. (LOAD) 65493 $FFD5 62622/$F49E LOAD ML. (LODLNK) 62929 $F4A5 [816/$0330] LOAD LINK. (MEMBOT) 65436 $FF9C8 65076/$FE34 GET/SET MEMORY END. (MEMTOP) 65433 $FF99 65061/$FE25 GET/SET MEMORY TOP. (NMI) 65095 $FE47 [792/$0318] NMI INTERRUPT. (OPEN) 65472 $FFC0 [794/$031A] OPEN A FILE. (PLOT) 65520 $FFF0 58634/$E50A GET/SET CRSR ON SCREEN. 8 (PNTCR) 43731 $AAD3 PRINT A CARRIAGE RETURN/LINE FEED. (PNTERR) 42042 $A43A PRINTS ERROR. 'X' CODE (1-30) (PNTSPC) 43839 $AB3F PRINTS A SPACE. (PNTSTR) 43806 $AB1E PRINT A STRING. (PNTTOK) 42778 $A71A [774/$0306] PRINT BASIC TOKE8×/ ¹0™ˆ÷ ©T ×/ §/ Ô/¤ž¥Ÿ¢NLu*Ú% F,×%Ø%Ù% øÚ%Š*ª­×%m×%×%­Ø%mØ%Ø%­Ù%mÙ%Ù%ˆÐÜØ ,­Ù% H7Œ­Ø% H7ŽŒ­×% H7ŽŒ¢½É0Ð © èàÐï `¨JJJJ 0ª˜) 0¨`…ý†þ…û†ü F,…ž…Ÿ¨±ûð ÈÐùæü C,ðò º)˜ Ã5…ø¥û…÷ ±ýð?É ðÈÐõð6˜ª©w…X x„¥ý‘ûÈ¥þ‘ûÈŠ‘û8eý…ýæ8þ¥ûi…ûæüæžÐÀæŸL‚7 ,¥÷¦ø`…û†ü8íO%ŠíP%x „°!¥ûû&ü Å5­M%®N% Å5±û…"ȱû…#ȱû…¶`˜…¶` W7M%ŽN%¤ž¥Ÿ¢NŒO%P%` s) 8Lu*8é°Ê Ï7 )…¶ð±"™ÈĶðÀPÐò„¶ ,ÀЭÉ"Т½0É"ðèàÐñ¢†û˜¢ ` s) &8¨©W ×/¦û¤ûð ½0Ê÷©FL×/­M%…û­N%…ü LF,8é°ÊIÿ…žŠIÿ…Ÿ 88ª†þìO%Ð¥þÍP%ð!±ûæžÐæŸðèÐæþ¥ûi…ûÚæü C,ðÓ ,Ši¦þè` Ÿ8L&8 s) Ÿ8Ls8 á) s) &8L* á) s) &8¥û¢0L* á) s) Ÿ8L9 á) s) Ÿ8L9H©ï% D9hÃ% D9L=¬Ã%ˆ˜e´Ö% s9 Ï7)…¶¢,¢Îï%Ð轿%…Ÿ)€z0LM0­ð%mÃ%ô%®ñ%èíO%ŠíP%¢Žô%Žõ%­ô%8é°Ê`  s)™ú%Š™û%ÈÈÀ8Ðð`†û„ü ±û™ú%ˆø`&Ž&Œ&`&Ž&Œ&` L3Ž»%,È%Lë2­j%¬k%Ìì%ðÌë%ÐÍé%Íê%°Íê%°Íé%°èèèèŽÅ%`©…Ç­î%†¦²¬ë% ä) ~ E:­ê%›% ‚ E:­ì%œ% † E:¥²›% Š ê)ª &©L*æÇ­í%†¥²iª¬ë% ä)®&¬&­& *®›%¬ì% ä)®&¬&­&L*$8n¾% “) ¬)í%Žî% ¬)¿%ŽÀ%( ¬)Á%ŽÂ8% s)àð 8 …) Á9 …) Ë90$8n¾% Å)í%Žî% ×)¿%ŽÀ%( ×)Á%ŽÂ% ×)àð 88n¾%¥²È%)…²$³i…³ #, 3Ll;$³i…³8¥³å²É ¥µå´É°` #,© …ž­í%)…Ÿ d- 3æ²Æ³æ´Æµ -¢µ²}z&é%Êôæ´æ´ÆµÆµ : P: n3 !>­ü%…û¬ý%­O%®P% ==¢ ­=¦³¤´ Þ,¢†ÇèŽÃ% Þ< Õ9 e+ðÍÃ%ð 198­Ê%ð^L <­è%®Å%¬Ë%ðàðàТð¢ÿIÿi T=Lš;¬Ê%ð2Ê0/ð¯Êð$Êð!Êð!ÊðÝÊðáÊ,¾%Pàð ° ­= æ"; 31 ÐÒÉÎÔ"ÌÏÁÄÁ$,Ä" 40 ÐÒÉÎÔ""; 41 ÐÒÉÎÔ"ÒÕÎ" 50 ÐÏËÅ198,2 51 ÐÏËÅ631,13 52 ÐÏËÅ632,13 60 ÅÎÄ ÁFTER PRINTING THE COMMANDS TO THE SCREEN AND POSITIONING THE 9$CURSOR OVER THE FIRST COMMAND, WE PUT 2 KEYSTROKES IN 198, THEN 13 IN 631 AND 632 (<ÒÅÔÕÒÎ> KEY). ×HEN THE PROGRAM ENDS, THE TWO <ÒÅÔÕÒÎ>S ARE EXECUTED, CAUSING THE ÌÏÁÄ AND ÒÕÎ TO OCCUR. ÎOTE: ×E CAN PUT THE FILENAME IN A STRING VARIABLE AND NOT HAVE `TO FOOL WITH THE DOUBLE-QUOTE MARKS ON THE SCREEN. ÔHIS TOOK US ONLY 18 YEARS TO FIGURE OUT! ). ×HEN THE PROGRAM ENDS, THE TWO <ÒÅÔÕÒÎ>S ARE EXECUTED, CAUSING THE ÌÏÁÄ AND ÒÕÎ TO OCCUR. ÎOTE: ×E CAN PUT THE FILENAME IN A STRING VARIABLE AND NOT HAVE £U ÐÒÉÎÔ ÔÈÉÓ ÒÅÖÅÒÓÅ ÍÏÄÅ ÐÏËÅ ----------------- ÐÏËÅ 199,1 ÐRINTS IN REVERSE MODE (ÎORMAL = 0) §U ÐÒÉÎÔ ÔÈÉÓ ÇÅÔ ÃÕÒÓÏÒ ÏÎ ------------- ÐÏËÅ 204,0 ÔURNS CURSOR ON DURING A ÇÅÔ (ÎORMAL = 255) :U ÐÒÉÎÔ ÔÈÉÓ ÃÕÒÓÏÒ ÃÏÌÕÍÎ ÒÏ× ----------------- ÐÏËÅ 211,X - ÃURSOR COLUMN ON CURRENT LINE (X = 0 TO 79) ÐÏËÅ 214,Y - ÍOVE CURSOR TO SCREEN LINE (Y = 0 TO 24). ÍUST BE FOLLOWED BY ÐÒÉÎÔ î ÆÁÓÔÅÓÔ ÃÕÒÓÏÒ ÐÌÏÔ 10 Ø = COLUMN (0-39) 20 Ù = ROW (0-24) 30 ÉÆ Ù = 0 ÔÈÅÎ ?"";:ÇÏÔÏ 50 40 ÐÏËÅ 214,Ù-1:ÐÒÉÎÔ 50 ÐÒÉÎÔ ÔÁÂ(Ø)"×ÈÁÔÅÖÅÒ ÙÏÕ ×ÁÎÔ" (ÕSUALLY YOU KNOW WHICH ROW, SO DO NOT REALLY NEED LINE 30!) :U ÅÎÃÙÃÌÏÐÅÄÉÁ ÃÏÍÍÏÄÏÒÅÁ BY ÄAVE ÍOORMAN AND ÍANY ÏTHERS ÉT ALL STARTED WITH THE Ã64 ÌÉÓÔ PUBLISHED ON 246. ÔHIS WAS FROM AN OLD ISSUE OF ÌÏÁÄÓÔÁÒ, SO É DIDN'T PAY MUCH ATTENTION TO IT. ÂUT AFTER MASTERING AND COPYING :THE ISSUE É CHECKED IT OUT. ÔHE PRINT-OUT WAS NOT AS CLEAN AND NICE AS É WOULD HAVE LIKED. ÔHEN, É HAD NEED OF A CERTAIN ÒÏÍ ROUTINE THAT CLEARS A CHOSEN SCREEN LINE. ÔHIS IS A HANDY COMMAND É USE FROM TIME TO TIME -- BUT HAVE NOT WRITTEN DOWN ANYWH:ERE. ÂESIDES, WHEN É WRITE SOMETHING DOWN, É SOON LOSE THE PAPER ANYWAY. ×HAT WE NEED IS A COMPLETE, EASY TO USE ENCYCLOPEDIA OF Ã-64 ÐÏËÅÓ, ÐÅÅËÓ, ÁÎÄ ÓÙÓES. ÓO É WENT THROUGH THE TEXTS OF Ã64 ÌÉÓÔ É AND ÉÉ AND FORMATTED THEM FOR OUR 38-COLUMN SCRE:EN. ÎICER, BUT NOT PERFECT. ÏNE STILL MUST SEARCH VISUALLY THROUGH A LOT OF STUFF ONE DOES NOT NECESSARILY WANT AT THE MOMENT. ÒECENTLY, É DISCOVERED A GREAT WAY TO DO HYPERTEXT USING THE SCROLLING MENU OF ÍR.ÍOUSE OR ÄOTÂÁÓÉÃ. ÔHE TECHNIQUE IS SIMP:LE: PUT THE HYPER- TEXT ON A LINE BY ITSELF. ×HEN CLICKED ON, EXAMINE THE RESULTING ×$. ÉF IT IS A HYPERLINK, LOAD AND DISPLAY THE APPROPRIATE TEXT FILE. ÓO, É BROKE DOWN THE ÐÏËÅÓ, ÐÅÅËÓ, AND ÓÙÓES INTO SINGLE TEXT FILES AND CREATED AN EASY TO USE :MENU FILE WITH HYPERLINKS. [ÖOILA!] Á GREAT AND POWERFUL ENCYCLOPEDIA! (É AM EVER THANKFUL THAT ÊIMINY ÃRICKET SPELLED OUT THAT WORD ON ÍICKEY ÍOUSE ÃLUB!) ÏNE THING É WANTED TO DO WAS OFFER INTELLIGABLE MENU NAMES FOR THE ROUTINES. ÏVER THE YEARS, :É HAVE HAD A HECK OF A TIME FIGURING OUT HOW TO GET THE INFORMATION É WANTED FROM THE "ON- LINE HELP" FEATURE IN ÖISUAL ÂASIC. É SPENT A MONTH FIGURING OUT HOW TO ERASE, DELETE, REMOVE, OR OTHERWISE GET RID OF A DISK FILE. ×HO'D HAVE THOUGHT THE MAGIC WO: RD WAS "ËÉÌÌ!" ÓO THE ITEMS ARE LISTED IN GENERAL AREAS (ÂÁÓÉÃ, ÍÌ, ETC.) AND ALPHABETICALLY, USING THE MOST SIGNIFICANT WORD FIRST. ÁND, FOR A NUMBER OF ITEMS, É INCLUDED TWO OR MORE MENU LISTINGS. ÁLL THE BETTER TO FIND WHAT YOU NEED. ÂUT, AS: WITH ALL SUCH COLLECTIONS OF KNOWLEDGE, THE BEST WAY TO KNOW WHAT IS AVAILABLE IS TO LOOK! ÃHECK OUT EACH ITEM. ÙOU CAN PRINT IT OUT WITH A CLICK ON ÐÒÉÎÔ ÔÈÉÓ. ÔHEN PLAY WITH THE CODE TO SEE HOW IT WORKS. ÍOST EVERYTHING IS HERE -- TRICKS, TIPS, Í: Ì ROUTINES, EVERYTHING. ÏË, É BET É MISSED SOME ESOTERIC PRESTO- DIGITALIZATIONS. ÙÏÕ CAN ADD ANY THAT YOU WANT. ÕSE ÍR.ÅDSTAR TO ADD NEW MENU ITEMS TO "E.ENCYCLOPEDIA", THEN EDIT LINES 2000-2199 TO INCLUDE THE NEW FILENAME. ÌOOK AT THE CODE FOR THE FORM: AT. ÔHEN AGAIN, WHO IS DOING PLAIN OLD Ã-64 PROGRAMMING THESE DAYS? ×HO WANTS TO LEARN TO CREATE GREAT PROGRAMS ON THIS OLD PLATFORM? É DON'T KNOW. É DO KNOW THAT THIS ENCYCLOPEDIA IS NOW ON MY ÕTILITY DISK IMAGE. ÁNY TIME É NEED TO KNOW A CERTAIN T*RICK, IT IS THERE IN AN INSTANT. ÄÍÍ LD Ã-64 PROGRAMMING THESE DAYS? ×HO WANTS TO LEARN TO CREATE GREAT PROGRAMS ON THIS OLD PLATFORM? É DON'T KNOW. É DO KNOW THAT THIS ENCYCLOPEDIA IS NOW ON MY ÕTILITY DISK IMAGE. 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